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Living as Form : Socially engaged art from 1991 - 2011
Artist/Author: Various | Editor: Nato Thompson | Reference: P1920 | ISBN: 978-0-262-01734-3 | Type: Publication

Living as Form grew out of a major exhibition at Creative Time in New York City. Like the exhibition, the book is a survey of more than 100 projects that use aesthetics to affect social dynamics.

activism Ai Weiwei Ala Plástica Amal Kenawy archive art Ata Hasheminejad Athi-Patra Ruga Basurama Bita Fayyazi Bread and Puppet Theatre Brian Holmes Buster Simpson camp Carol Becker Chemi Rosado Seijo Chto Delat? Claire Bishop class Colectivo Cambalache Complaints Choir Cornerstone Theater Company Cybermohalla Ensemble Decolonizing Architecture direct action Essex Street Market feminism feminist Fran Ilich Francis Alys Fritz Haeg gender Helena Producciones intervention Jeanne van Heeswijk Jeremy Deller Josh Greene Katerina edá Laurie Jo Reynolds Long March Project Mammalian Diving Maria Lind Mel Chin methodologies methodology Michihiro Shimabuku Mierle Laderman Ukeles Minerva Cuevas Navin Rawanchaikul No One Is Illegal participation Pase Usted Paul Glover Pedro Reyes performance art Peter Watkins Phil Collins Piratbyrån politics protest Public Movement public space Pulska Grupa Rick Lowe Shannon Jackson Slanguage socially engaged Steve Lambert Suzanne Lacy Teddy Cruz The Land Foundation The U.S. Social Forum The Yes Men Theaster Gates theatre Ultra-red Urban Bush Women urban planning visual art Voina Wikileaks Women on Waves

The ‘do-it-yourself’ artwork: Participation from Fluxus to new media
Artist/Author: various | Editor: Anna Dezeuze | Reference: P1523 | ISBN: 9780719081446 | Type: Publication

The ‘do-it-yourself’ artwork: Participation from Fluxus to new mediaThis volume consists of fifteen essays by art historians, critics and curators, which are divided into three sections. Part 1 addresses the emergence of spectator participation in the 1960s, whilst Part 2 brings together in-depth case studies of specific participatory practices in the 1960s, 1970s and 1990s, analysing the issues that they raise in their very modes of operation. The more general critical essays in Part 3 map out a range of theoretical approaches to the ‘do-it-yourself’ artwork.

Adrian Piper Allan Kaprow Amelia Jones Arnauld Pierre audience Beryl Graham Carsten Höller Catherine Wood Christian Kravagna Claire Bishop David Medalla Frazer Ward George Brecht Guy Brett happenings Helio Oiticica installation interaction Janet Kraynak Jennifer González Judith Rodenbeck kinetic art Lydia Clark Marcel Duchamp Marina Abramović Miwon Kwon participation performance spectator Yoko Ono

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