Catalogue > By Keyword > collaboration
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Unlimited Action: The performance of extremity in the 1970s
It examines the ‘performance of extremity’ as practices at the limits of the histories of performance and art, in performance art’s most fertile and prescient decade, the 1970s. Dominic Johnson recounts and analyses game-changing performance events by six artists: Kerry Trengove, Ulay, Genesis P-Orridge, Anne Bean, the Kipper Kids, and Stephen Cripps.
Part of the Library of Performing Rights (P3041)
Here we are, let’s go: Dartington College of Arts, 14 June 1997, Studio 11, 6.30 pm.
A revision of Lone Twin’s On Everest.
Bow Gamelan Ensemble: Great Noises That Fill The Air
Retrospective review: Cooper Gallery, Dundee, 27 October to 15 December 2018.
In misc. folder 7.
A Plea for Transgenerational Research in Live Art
Presents principles of the work by the Theatre of Research as a plea for transgenerational research in performance and Live Art.
Mesearch and the Performing Body
An anthology of Edward’s creative practice-led projects. Through the innovative practice of ‘mesearch’, in which the author is both theoriser and theorised, this study delivers a personal, creative narration, combining reflections and emotions in relation to self and performance.
Common Affairs - Collaborative Arts Projects
Published on the occasion of the eponymous exhibition Ludwig Museum, Budapest, 30 January – 18 March. Presents the programmes implemented during the four-year CAPP project.
In Hungarian and English.
Who Touched Me?
A compilation of research, tracing the development of the artists' sculptural performance Gravitational Feel, which was yet to be realized at the time the book was due to print.
On Otherness
Short programme of the project which saw 2DL invite other artists into a conversation on identity.
Rosemary Butcher
On 10 Years On: a retrospective (Riverside Studios, 1985).
Theatre Criticism: Changing Landscapes
Features 16 commissioned contributions from scholars, arts journalists and bloggers, as well as a small selection of innovative critical practice, sharing perspectives on relevant historical, theoretical and political contexts influencing the development of the discipline, as well as specific aspects of the contemporary practices and genres of theatre criticism.