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Performing Machines
Editor: Museum Tinguely | Reference: P3188 | ISBN: 978-3-9524392-9-6 | Type: Publication

Exhibition catalogue; comprises essays and a section containing documents, hitherto unpublished interviews and a gallery discussion. Exhibition: 27 January – 1 May 2017, Museum Tinguely, Basel.

1970s 1980s audience collage David Toop destruction Dominic Johnson drawing experimental film Henry Moore Institute Jean Tinguely Jeni Walwin kinetic art Lisa Le Feuvre London multidisciplinary music performance art pyrotechnics radical art risk Sandra Beate Reimann sound art transmedia visual art

Media Parasites in the Early Avant-Garde: On the Abuse of Technology and Communication
Artist/Author: Arndt Niebisch | Reference: P3103 | ISBN: 978-1137276858 | Type: Publication

Niebisch retraces how the early Avant-Garde movements started out as parasites inhabiting and irritating the emerging mass media circuits of the press, cinema, and wired and wireless communication.

abuse art of noise articulation Berlin Bertolt Brecht Cabaret Voltaire chaos cinema collage Dada electromagnetism ether Filippo Tommaso Marinetti film Friedrich Kittler futurism hermeneutics history Hugo Ball irritation Michel Serres military modernism painting performance Poetics politics randomness Raoul Hausmann Richard Hülsenbeck stage subjectivity telegraph typography Umberto Boccioni visuality Walter Benjamin war Zürich

Carlyle Reedy: Icons of a Process
Editor: Karen Di Franco and Guy Brett | Reference: P2849 | ISBN: 978-1-9006203-78-8 | Type: Publication

Catalogue for the 2014 Flat Time House exhibition, which comprised of elements of the many modes of Reedy’s production across decades, including video and audio works unseen and unheard since the 1970s and 80s.

collage documentation ICA installation Institute of Contemporary Arts John Latham language performance poetry video art We’ll Make Up A Title When We Meet writing

Daring to be Present: An Interview with Carlyle Reedy
Artist/Author: Eleanor Roberts | Reference: A0643 | Type: Article

The interview aruges for visibility of Reedy as a force of innovation where she is wrongly, and yet expectedly, absent from mainstram cultural institutions.

collage community centre event happening marginalisation painting performance art poetry politics text The Crypt underground

Radical Prototypes: Allan Kaprow and the Invention of Happenings
Artist/Author: Judith F. Rodenbeck | Reference: P2798 | ISBN: 978-0262526128 | Type: Publication

Rodenbeck offers a rigorous art historical reading of Kaprow’s project and related artworks. She finds that these experiential and experimental works offered not a happy communalism but a strong and canny critique of contemporary sociality. Happenings, she argues, were far more ambivalent, negative, and even creepy than they have been portrayed, either in contemporaneous accounts or in more recent efforts to connect them to contemporary art’s participatory strategies.

18 Happenings in 6 Parts 1950s 1960s action painting assemblage avant-garde theatre behaviour Black Mountain College collage criticism Dada environment Fluxus futurism Gerhard Richter history Jim Dine John Cage language Leben mit Pop Marcel Duchamp Merce Cunningham minimalism music painting participation performance photography poetry popular culture process readymade Robert Rauschenberg sound surrealism theatre theatricality theory youth culture

I’m Every Woman
Artist/Author: Narcissister | Digital Reference: EF5162 | Type: Digital File

Video documentation of a performace work exploring gender as a series of social investments manifest through intersubjective symbolic exchange.

activism body collage dance feminism gender parody pastiche performance performativity personal space sexuality visual art women

Prerequisite
Artist/Author: Sinéad O'Donnell | Digital Reference: EF5114 | Type: Digital File

Recording of performance in a public library.

collage identity Northern Ireland performance women

Human Space Machine: Stage Experiments at the Bauhaus
Editor: Torsten Blume, Christian Hillier, Bauhaus Dessau Foundation | Reference: P2463 | ISBN: 9783944669229 | Type: Publication

Exhibition catalogue, explores the relationship between technology, machines and the Bauhaus Stage. Contributors: Hortensia Volckers, Alexander Farenholtz, Philipp Oswalt, Juliet Koss, Sascha Forster, Peter W. Marx, Joachim Krausse, Gabriele Brandstetter, Jienne Liu, Karin Harrasser

20th century Alexander Farenholtz art history avant-garde Bauhaus bodies body catalogue collage criticism diagrams Dieter Baumann documentation Europe European exhibition Gabriele Brandstetter Gerhard Bohner Hortensia Völckers Jienne Liu Joachim Krausse Juliet Koss Karin Harrasser László Moholy-Nagy machine machines modernism Nam June Paik Oskar Schlemmer performance Peter W. Marx Philipp Oswalt photographs Sascha Forster space stage technology theatre visual art Walter Gropius war

To Sam Ja / This Is I
Artist/Author: Vlasta Delimar | Reference: P2449 | ISBN: 9789537615659 | Type: Publication

Accompanies the 2014 retrospective of Vlasta Delimar’s work at The Museum of Contemporary Art, Zagreb.

bodies body catalogue collage Croatia documentation exhibition female gender identity installation land art motherhood Museum of Contemporary Art Zagreb nudity performance performance art photographs photography politics sex sexuality staglinec text Vlasta Delimar women

Beginningless Thought/Endless Seeing
Editor: Jonathan Berger | Reference: P1884 | ISBN: 978-0982986127 | Type: Publication

A fully illustrated colour catalogue documenting the 2009 retrospective exhibition of the artist Stuart Sherman.

archive Babette Mangolte collage documentation drawing film intervention John Hagan John Matturri Jonathan Berger Julian Bittiner Linda G. Schulze Mark Bradford Nothing Up My Sleeve Participant Inc. performance performance artist public Robin Deacon S.K. Duff sculpture Stefan Brecht Tripod Depot writing Yolanda Hawkins

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