Catalogue > By Keyword > conceptual art
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Sonia Boyce: Reclassifying Classification
Afterall Journal
Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.
P.27-35
Nizan Shaked traces the interventions of Sonia Boyce’s work in received categories of artistic practice, considering how these interventions suggest means of classification beyond media, artistic intention and identity.
Blackness and Self-Imaging : Lorraine O'Grady's Performance as Mademoiselle Bourgeoise Noire
Contemporary Theatre Review Volume 32 Issue Number 1 February 2022
p4-20
Adrian Piper: A Reader
Published in conjunction with MoMA’s retrospective exhibition and in collaboration with the artist, this scholarly volume presents new critical essays that expand on Piper’s practice in ways that have been previously under- or unaddressed.
Pascale Grau: Rollenwechsel
A collection of essays on the artist Pascale Grau with dvd of Single-Channel Videos 1994-2008.
In German and English.
Kindly donated for the Swiss Live Art Study Room Guide.
Reformation
Over the course of 16 months Ithe artist took about 200 photographs of their reflection in the window of a derelict shop on Windsor Avenue, Fairview, Dublin 3. 52 images were selected and each is accompanied by a piece of text.
Time After Time
Exhibition catalogue, 08 September – 03 November 2018, John Hansard Gallery.
A.Bandit: A Secret Has Two Faces
The latest collaboration between Glenn Kaino and Derek DelGaudio, who work together as the conceptual performance art duo A.Bandit to make magical art.
Eleanor Antin: Real Time Streaming catalogue
Illustrated catalogue accompanying the exhibition; Cornerhouse (3 March – 22 April 2001), Arnolfini (18 March – 13 May 2001), Mead Gallery (6 October – 1 December 2001).
The Triumph of Anti-Art: Conceptual and Performance Art in the Formation of Post-Modernism
Guides the reader through a thicket of seemingly arcane meanings of nonrepresentational art forms, and brings clarity to the intentions and agendas of these artists, as well as to their real world contexts.
John Latham: A World View
Catalogue published to accompany the Serpentine Galleries Spring Season exhibitions (2 March – 21 May 2017).
