Catalogue > By Keyword > creative industries
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Training for Exploitation?: Politicising Employability and Reclaiming Education
Provides a pedagogical framework that assists students and others in deconstructing dominant narratives around work, employability and careers, and explores alternative ways of engaging with work and the economy.
Training for Exploitation?: Politicising Employability and Reclaiming Education
Provides a pedagogical framework that assists students and others in deconstructing dominant narratives around work, employability and careers, and explores alternative ways of engaging with work and the economy.
Fair Play
What is the quality of participation in contemporary art and performance? Fair Play: Art, Performance and Neoliberalism explores this question through the work of important contemporary artists and organizations including Marcus Coates, Phil Collins, Jeremy Deller, Michael Landy, Grayson Perry, Rachel Whiteread, Lone Twin, Punchdrunk, Tate Modern and the National Theatre.
Value, Measure, Sustainability
A guide about the future of the small-scale visual arts sector, outlining economic and social understandings of value, measuring the value of arts organizations and sustainability.
Training for Exploitation? Towards an alternative curriculum
This article can be found in the Miscellaneous Articles 3 BinderTraining for exploitation? Towards an alternative curriculum is for use by students, teachers and cultural workers to address free and precarious labour in the arts,.
Beyond experience: culture, consumer & brand
On using art to render authenticity in business. Part of the Study Room Guide (P1820).
The Smith Institute Arts Lecture: Arts in the core script - writing ourselves in
A lecture by the chief executive of Arts Council England; 12th July 2006
A Creative Future
No Haus Like Bau
A post-Fordist neo-Constructivist mime commissioned for the Berlin Biennale.
