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Enmeshed bodies, impossible touch: the object-oriented world of Pina Bausch’s Café Müller

Artist/Author: João Florêncio | Editor: Richard Allen and Shaun May | Reference: A0726 | Type: Article

The addresses the nonhuman bodies of Café Müller and claim that Bausch’s piece resonates with the work of contemporary philosopher Graham Harman, in that it tries to go beyond human exceptionalism to present a world where all bodies, regardless of their perceived nature, are simultaneously tightly enmeshed together and inaccessible to one another.

Towards a Poiesis of Critical Practice: 1000th LIVE and the politics of appearance

Artist/Author: Diana Damian Martin | Editor: Ric Allsopp and Kristen Kreider | Reference: A0724 | Type: Article

On the process and politics of live critical responses to a live stream of Forced Entertainment’s And on a Thousandth Night.

Creating by Annotating: The director’s notebooks of Jan Fabre and Jan Lauwers

Artist/Author: Timmy De Laet, Edith Cassiers & Luk Van Den Dries | Reference: A0717 | Type: Article

Reversing the common understanding of annotation as a posterior act of adding information to already existing sources, this article argues that annotation also serves as a pre-performance procedure facilitating artistic creation.

The Regenerative Ruination of Romeo Castellucci

Artist/Author: Timmy De Laet and Edith Cassiers | Reference: A0722 | Type: Article

This article proposes an expanded understanding of Romeo Castellucci's radical performance work as a genuine theatre of ruins.

PRAXIS Vol 1: Of People, Place & Time

Editor: Chrissie Tiller and Patrick Fox | Reference: P3166 | ISBN: 978-0-9935611-1-5 | Type: Publication

Taking two years of projects and initiatives by Heart of Glass, a national agency for collaborative and social practice based in St Helens, as its starting point, the publication explores the interface between theory and practice.

Does it Work?: The Æffect of Activist Art

Artist/Author: Stephen Duncombe | Reference: A0713 | Type: Article

Starting with the questions: Does it Work? and How Can We Know? this article explores the effect and affect, or affect, of activist art.

Revolting Subjects: Social Abjection and Resistance in Neoliberal Britain

Artist/Author: Imogen Tyler | Reference: P3156 | ISBN: 978-1848138513 | Type: Publication

Explores the processes through which specific populations are figured as ‘revolting’ as well as the practices through which these populations ‘revolt’ against their subjectification.

Part of the Study Room Guide on Live Art and class and cultural privilege. (P3152)

9.5 Theses on Art and Class : And Other Writings

Artist/Author: Ben Davis | Reference: P3153 | ISBN: 978-1608462681 | Type: Publication

Seeks to show how a clear understanding of class makes sense of what is at stake in a broad number of contemporary art’s most persistent debates, from definitions of political art, to the troubled status of “outsider” and street art, to the question of how we maintain faith in art itself in a dysfunctional world.

Part of the Study Room Guide on Live Art and class and cultural privilege. (P3152)

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