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The Only Way Home Is Through the Show: Performance Work of Lois Weaver
The book explores Weaver’s collaborative work with Split Britches and Spiderwoman as well as her solo projects, performance interventions, and work as a facilitator, teacher, and as Tammy WhyNot.
Marc Camille Chaimowicz: Celebration? Realife
Tom Holert argues that with Celebration? Realife, Chaimowicz makes a strategic and important meditation on the changing role of the artist, who simultaneously becomes art director, choreographer and participant. The groundbreaking installation Celebration? Realife was originally created for ‘Three Life Situations’ at Gallery House London in 1972.
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
The Origins of Totalitarianism
Arendt provides a historical account of the forces that crystallized into totalitarianism. The ebb and flow of nineteenth-century anti-Semitism (she deemed the Dreyfus Affair a dress rehearsal for the Final Solution) and the rise of European imperialism, accompanied by the invention of racism as the only possible rationalization for it.
Baby Ikki at the Museum
Formatted and designed like a children's board book, Baby Ikki at the Museum features the eighteen-month-old character posing in front of works of art in the Whitney Museum of American Art. He acts as a wide-eyed explorer wandering in a new world, examining and responding to works in the Museum's collection by pointing, staring, or offering quizzical looks.
Other Hospitalities: Reflections on Chris Goode’s Ensemble Ponyboy Curtis
Includes reactions by Good, Megan Vaughan, Costa and Simon Bowes.
Revolutionary Time and the Avant Garde
The first book of its kind to look at the legacy of the avant-garde in relation to the deepening crisis of capitalist non-reproduction.
Not Just a Mirror: Looking for the Political Theatre of Today
The publication is comprised of eight essays, two interviews, and 15 case studies of political theatre makers, and investigates the performing arts as a political laboratory of the present. It explores how theatre, dance, and performance reveal their essential agnosticism, provoking the potential to actively change society rather than merely serving as a cover-up for the dysfunctions, fractures, and wounds of society.
Radical Prototypes: Allan Kaprow and the Invention of Happenings
Rodenbeck offers a rigorous art historical reading of Kaprow’s project and related artworks. She finds that these experiential and experimental works offered not a happy communalism but a strong and canny critique of contemporary sociality. Happenings, she argues, were far more ambivalent, negative, and even creepy than they have been portrayed, either in contemporaneous accounts or in more recent efforts to connect them to contemporary art’s participatory strategies.
Striding Out: Aspects of Contemporary and New Dance in Britain
A detailed examination of selected choreographers of the 1960s and the 1970s.
Out of Line: The Story of British New Dance
A history of British new dance from its origins in the 1960s to the early 1990s.
