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Dreams and Deconstructions: Alternative Theatre in Britain
An illustrated account of the development of alternative theatre in Britain over the 60s and 70s.
Disrupting the spectacle: Five years of experimental and fringe theatre in Britain
This publication documents the development of British theatre from 1968 to 1973.
Lunatics, Lovers and Poets: Contemporary Experimental Theatre
A critical survey of international experimental theatres of the late 20th century, and the social and political condition that bred them.
The Curatorial Turn
In this article, Tom Sellar begins to define the mercurial role of the performance curator that has been emerging at the intersections of theatrical practice and the visual arts and their presentation.
Robert Smithson: The Collected Writings
Collection including previously unpublished essays by Smithson and gathers hard-to-find articles, interviews, and photographs, as well as a full picture of his wide-ranging views on art and culture. This item is part of the Study Room Guide to Remoteness (P2600).
COLAB Editions: The Publication
The Publication follows the journey of ten collaborations, created by Co-Lab performance art program together with Savvy Contemporary Art Laboratory in Berlin.
What The Butler Saw: Selected Writings by Stuart Morgan
Contains essays and interviews by late leading art critic Stuart Morgan with a foreward by Thomas McEvilley
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Performing presence: Between the live and the simulated
Poses questions over the nature of action, identity and the self in the relationship with media forms.
Guy De Cointet
Exploring the life and works of Guy de Cointet who explored language through performance and visual art.
The Ethics of Art: Ecological Turns in the Performing Arts
Attempts to describe how artistic imagination can produce new situations, based on the potentials of the singular ‘body’ within its environment.