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Fragmented Stories
Artist/Author: Ray Newe | Reference: A0405 | Type: Article

Review of England Stories and Certain Fragments.

criticism experimental Forced Entertainment performance Ray Newe theatre Tim Etchells

Saint Orlan: Ritual as Violent Spectacle and Cultural Criticism
Artist/Author: Orlan, Alyda Faber | Reference: A0386 | ISBN: 0-262-75805-9 | Type: Article

The French performance artist’s practice of self-directed violence creates a spectacle that violates the viewer and establishes Orlan’s body as “a site of public debate.” Her work radically exposes the violence of patriarchically established “beauty standards.”

Alyda Faber body body art body modification criticism cultural criticism ORLAN performance plastic surgery surgery The Drama Review transformation violence

Tailing ‘TRACE/Y’
Artist/Author: susan pui san lok | Reference: A0380 | Type: Article

Review of the 1999 Liverpool Biennial.

criticism festival festivals susan pui san lok The Liverpool Biennial of Contemporary Art

Good Luck Everybody. Lone Twin Journeys Performances Conversations
Editor: David Williams, Carl Lavery | Reference: P1619 | ISBN: 978-1-906499-02-0 | Type: Publication

The book contextualises, documents and analyses Lone Twin’s work. It explores their interest in live performance, journeys, places, language, narrative and image, and includes original interviews, essays, performance texts and photographs.

This item is referenced in the Making Routes Study Room Guide (P1964).

Alan Read Augusto Corrieri Barry Laing body Carl Lavery collaboration conversation criticism Daniel Ladnar dialogues documentation durational Emma Brodzinski Esther Pilkington experimental performance Gary Winters Gregg Whelan John Hall language Larry Lynch Lone Twin narrative Nina Tecklenburg participation Patrick Primavesi performance performance text performance writing photography reading Rebecca Shatwell Relations Speeching Sylvie Gilbert theatre theory Thomas Frank walking water

On ‘Publics’ A feminist constellation of key words
Artist/Author: Jill Dolan | Editor: Melanie Bennet, Richard Gough, Laura Levin, Marlis Schweitzer | Reference: A0362 | Type: Article

Traces Dolan’s key terms – ‘publics’, ‘feelings’, ‘practice’, ‘utopian performatives’ and ‘performance’ – personally and politically rather than from a strictly scholarly perspective.

affect theory criticism feminism feminist gaze gender Jill Dolan LGBT performance performance research spectatorship utopia

Text and Performance Quarterly: Disability Studies Special Issue
Editor: Bruce Henderson and Noam Ostrander | Reference: P1606 | ISBN: 1046-2937 | Type: Publication

Text and Performance Quarterly. Volume 28 Numbers 1-2 January-April 2008

Ann Millett AXIS Dance Company Benjamin R. Bates Brian Lobel Bruce Henderson Cara Gabriel Carrie Sandahl criticism Dana Morella Deanna L. Fassett disability Disability Studies Heidi M. Rose Jim Ferris Joel-Peter John T. Warren JulieAnn Scott Jurt Lindemann Kirsty Johnston Linda Park-Fuller Margaret M. Quinlan Noam Ostrander performance Petra Kuppers Sheila C. Moeschen sport Telroy Davies theatre theory

The Emancipated Spectator
Artist/Author: Jacques Ranciere | Reference: P1590 | ISBN: 978-1-84467-343-8 | Type: Publication

Asking exactly what we mean by political art or the politics of art, Rancière goes on to look at what the tradition of critical art, and the desire to insert art into life, has achieved. Has the militant critique of the consumption of images and commodities become, ironically, a sad affirmation of its omnipotence?

audience criticism cultural politics Jacques Rancière performance philosophy politics response socially engaged society theatre theory

Crossroads: Performance Studies and Irish Culture
Artist/Author: Various | Editor: Sara Brady and Fintan Walsh | Reference: P1576 | Type: Publication

Considers Irish expressive culture through some of the paradigms and vocabularies offered by performance studies.

Anne Pulju Bernadette Sweeney Carmen Szabo Charlotte McIvor criticism David Cregan E. Moore Quinn Emily Mark Fitzgerald Eric Weitz Fintan Walsh Gabriella Calchi Novati Holly Maples J'aime Morrison Jack Santino Matthew Causey Matthew Spangler Mike Wilson Sara Brady Scott Spencer theory

Interfaces: Women/Autobiography/image/Performance
Artist/Author: Various | Editor: Sidonie Smith & Julia Watson | Reference: P1557 | Type: Publication
Adrian Piper Amelia Jones Baroness Elsa Von Freytag-Loringhoven Blondell Cummings Bobby Baker Cindy Sherman Claude Cahun criticism Dada Elvira Bach Erika Lopez Faith Ringgold gender Georgiana M. M. Colville Hannah Wilke Irene Gammel Janine Antoni Jennifer Drake Jessica Prinz Jo Anna Isaak Jo Spence Joan Lyons Judd D. Hubert L.M. Montgomery Laura Aguilar Laura Laffrado Laurie Anderson Lesley Ferris Linda S. Kauffman Lorie Novak Lorna Simpson Louise Bourgeois Marianne Hirsch Mieke Bal Mimi Y. Yang ORLAN Renee Riese Hubert Susan King theory women

The Routledge Reader in Gender and Performance
Editor: Lizbeth Goodman | Reference: P0004 | ISBN: 978-0415165839 | Type: Publication

Reviews ways in which sexuality has been explored and expressed in new forms of performance art and dance, women’s contributions to theatre history, and how theatre has represented women over the centuries.

Part of the Library of Performing Rights (LPR) (P3041).

Aphra Ben Bertolt Brecht class criticism dance exclusion feminism feminist theatre Fiona Shaw gay gender history human rights Jacques Lacan Jill Dolan Judith Butler Laura Mulvey lesbian lesbian theatre LGBT Marxism Michelene Wandor performance art performance theory postmodernism race racism sexuality Sigmund Freud suffrage drama suffragettes theatre universal declaration of human rights William Shakespeare

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