Catalogue > By Keyword > criticism
339 results | Page 31 of 34
Terrorist Assemblages: Homonationalism in Queer Times
Argues that configurations of sexuality, race, gender, nation, class, and ethnicity are realigning in relation to contemporary forces of securitization, counterterrorism, and nationalism.
Issues in Curating Contemporary Art and Performance
In four thematic sections, a group of contributors consider curation in light of interdisciplinary and emerging practices, examine conceptions of curation as intervention and contestation, and explore curation’s potential to act as a reconsideration of conventional museum spaces.
This item is referenced in the Dreams for an Institution Guide (P2313).
In times of war
Four films with commentaries plus eight secret files of photographs.
The Erased: Organized Innocence and the Politics of Exclusion
Book about the erasure of tens of thousands of people from the register of permanent residents, which took place after Slovenia gained independence.
Part of the Library of Performing Rights (LPR) (P3041).
Staging the UK
Examines some of the most important performance in Britain from the mid-1980s into the new millennium.
After Criticism: New Responses to Art and Performance
Explores contemporary approaches which have sought to renew criticism’s energies in the wake of a ‘theatrical turn’ in recent visual arts practice, and the emergence of a ‘performative’ arts writing over the past decade or so.
This item is part of the Study Room Guide: On Falling by Amy Sharrocks (P2249) and the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)
Rearticulation of the History of Performance Art
On Incasso.
In Slovenian and English.
From the Unbearable Lightness of (Artistic) Freedom 2 edition. Part of the Library of Performing Rights (LPR) (P3041).
Virtual Biopolitical Parliament
On DemoKino.
In Slovenian and English.
From the Unbearable Lightness of (Artistic) Freedom 2 edition. Part of the Library of Performing Rights (LPR) (P3041).
Last Laughs
Acknowledging the Imperative of Performance in the Infancy of Theatre
Performance Research Volume 5 Issue 2 (2000) pp. 61-69. Issue Editor: Alan Read
