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Critical Interruptions Vol I: Steakhouse Live

Editor: Critical Interruptions | Reference: P3550 | Type: Publication

Brings together artists, curators and producers, writers and critics to think through their relationship with criticism, revealing passionately held and often conflicting opinions on what criticism is and where it resides. Follows Steakhouse: Live Writing, a pilot project undertaken as part of the 2016 Steakhouse Live Festival of Live Art and Performance.

You ought not to be obsessed with the idea you have to intervene on every subject at every moment

Artist/Author: Pia Brezavšček, Saška Rakef Perko | Reference: A0830 | Type: Article

Interview with Jacques Rancière.

Crystallisation

Artist/Author: André Lepecki | Reference: A0821 | Type: Article

Unmaking American dance by tradition.

Empowered Expression from Bausch and De Keersmaeker

Artist/Author: Janet Adshead-Lansdale | Reference: A0816 | Type: Article

On Das Stück mit dem Schiff and Amor constante mas alla de la muerte.

“Not/There”: Croce, Criticism, and the Culture Wars

Artist/Author: Roger Copeland | Reference: A0814 | Type: Article

Rekindles the debate about 'victim art' through an analysis on Arlene Croce's essay 'Discussing the Undiscussible'. 

Pina Bausch at the Theatre de la Ville, Paris

Artist/Author: Sophie Constanti | Reference: A0807 | Type: Article

Review.

Against Dance Criticism

Artist/Author: Nigel Farndale | Reference: A0802 | Type: Article

On the role and necessity of dance writers.

Siobhan Davies Company, 1988

Artist/Author: Stephanie Jordan | Reference: A0796 | Type: Article

On Wyoming and White Man Sleeps.

One Man’s Writing is Another Man’s Walrus

Artist/Author: Sandra Hockey | Reference: A0795 | Type: Article

An assessment of experimental work in the early years of Dance Umbrella (1978-1983).

On stage and Page

Artist/Author: Stephanie Jordan | Reference: A0780 | Type: Article

Discusses problems of being both a dance critic and a performer.

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