Catalogue > By Keyword > curating
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Playing by the Rules: Alternative Thinking/ Alternative Spaces
The perceived rules of the development and running of alternative spaces, and where those rules came from, are among the questions answered by the authors. The underlying message in the publication is the importance of critical thinking as well as the need for alternative thinking.
Interdisciplinarity and Editing
Special Issue: The politics, processes, and practices of editing. Also includes sections on commissioning, authoring, submission, curation, production, and dissemination.
Disagree. - a critical magazine on arts and society
The Disagree. magazine is a result of the cooperation between a changing group of artists, curators, and theoreticians operating fully independently. They join forces under the name of the Disagree. Art assembly. Those who write for the Disagree. magazine automatically become part of the editing team and thus of the assembly. The editors of the first issue are Jeff Poak, Jean Gotthard, Harald Pogel, Nazim Besikci, Jana Tupivic, Anna Siegel.
The Curator’s Handbook
The essential practical handbook for all those involved in, or studying, the dynamic field of curating
Creative Interactions
Dramaturg and curator Norman Frisch discusses qualities that distinguish theater from other “time-based art,” highlighting connections to mystery and classicism.
‘Disabling’ the museum: Curator as infrastructural activist
The author discusses new vocabularies and methodologies around curating disability and access. In Miscellaneous Articles folder 4.
The Curatorial Turn
In this article, Tom Sellar begins to define the mercurial role of the performance curator that has been emerging at the intersections of theatrical practice and the visual arts and their presentation.
Documenta 4
Part of a DVD collection collection to curatorial practices and exhibition history called Archives. This film by Jef Cornelis constitutes an accounts of the exhibition DOCUMENTA 4.
Do You Remember It - Or Weren’t You There?
Do you remember it – or weren’t you there? was an exhibition of work by artists and writers whose starting point was live performance. It was curated by Philip Lee and Cally Trench and presented at the London Gallery West, University of Westminster in 2013.
