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Strategies of Success : Curator Series 2002-2003
Artist/Author: Tanja Ostojić | Reference: P4204 | ISBN: 2-910164-32-2 | Type: Publication

Book in English with translations to Serbian and French language
With essays by Dr Marina Grzinic, Dr Suzana Milevska and Tanja Ostojić

archive body class curation documentation gender identity installation life live art performance art power queer sexuality Tanja Ostojic women

Queering curating
Editor: Adrien Sina | Digital Reference: EF5371 | Type: Digital File

Documentation of projects undertaken by Adrien Sina, Tomasz Kitliński and Paweł Leszkowicz. Includes interviews, photos and promotional material from venues including Marlborough Pub and Theatre, Courtauld Institute of Art and Tate Britain.

Part of the Library of Performing Rights ( P3041).

Ajamu X Amelia Abraham Amelia Lander-Cavallo architecture curation Feminine Futures gender hospitality LGBT Lublin Lucy Nicholas Morgan M.Page Naeem Davis national museum Open City performance queer sexuality visual arts

Points of Convergence - Alternative Views on Performance
Editor: Marta Dziewanska, Andre Lepecki | Reference: P4110 | ISBN: 978-8364177385 | Type: Publication

Investigates critical approaches to performance, ultimately aiming to stimulate new discussion between theorists and practitioners.

academia artist black blackness body Bojana Kunst Brazil Claudia Calirman contemporaneity criticism curation documentation duration Eastern Europe Fred Moten Japan KuroDalaiJee Magda Lipska Nataša Petrešin-Bachelez new media Nicholas Ridout open form theory Oskar Hansen performance art phenomenology politics Rebecca Schneider Sasha Obukhova social sphere temporality theory time Verónica Metello Zero Jigen

The Live Art Almanac Vol. 5
Editor: Bojana Janković, Megan Vaughan, Lois Keidan | Reference: P3977 | ISBN: 978-1-9164243-4-0 | Type: Publication

A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2015 and December 2017. Selected through recommendations and an open call for submissions, Volume 5 reflects the dynamic, international contexts that Live Art and radical performance practices occupy.

Part of Library of Performing Rights (P3041).

activism Adrian Howells Alastair MacLennan Alexandrina Hemsley Amelia Jones audiences Bob Flanagan capital Cassils Chris Kraus Cosey Fanni Tutti criticism curation David Wojnarowicz Deborah Levy Diana Damian Martin Donald Trump Doran George Forest Fringe Frie Leysen Harvey Weinstein Hester Chillingworth history jamie lewis hadley Jennifer Doyle Jérôme Bel Jill Soloway Kathy Acker Lydia Lunch mainstream Malik Nashad Sharpe Marilyn Arsem Mary Paterson Mel Evans Melanie Keen Morgan Quaintance Oleg Kulik Petr Pavlensky politics Preach R Sun radical Ron Athey Scottee Selina Thompson Stephen Pritchard Tania El Khoury Tanja Ostojic Tim Etchells Volksbühne

TALKER #1-8
Editor: Giles Bailey | Reference: P3777 | Type: Publication

Eight issues of the interview zine about performance.

America archetype audience autobiography belonging Brussels curation directing Dora García Early Shaker Spirituals experimental film Good Samaritans happenings Ian White Ibiza Black Flags Democracy ICA installation Jo Fong Kate Valk Kathy Acker language Mark Bruce Company monologue National Dance Theatre Wales New York City Players Oscar Masotta painting Paradiso parenthood participation Paul Maheke performance art playwriting Pompidou Centre Queens Row Rambert Richard Maxwell Rosas Spalding Gray Sue Tompkins Swimming to Cambodia The Killing Fields Ways of Being Together Wooster Group

Acts of Transgression: Contemporary Live Art in South Africa
Editor: Jay Pather and Catherine Boulle | Reference: P4054 | ISBN: 978-1-77614-279-8 | Type: Publication

15 writers explore the experimental, interdisciplinary and radically transgressive field of contemporary live art in South Africa.

Part of the Library of Performing Rights (P3041).

activism Africa Africanfuturism Alan Parker Andrew J. Hennlich apartheid archive Athi-Patra Ruga belonging Bettina Malcomess black black body body Cape Tpwn Chuma Sopotela citizenship collectivism colonialism crisis curation decolonisation Donna Kukama Fees Must Fall feminism futurism Gabrielle Goliath gender gesture healing history ICA Liv Art Festival identity Iziko South African National Gallery Katlego Disemelo Khwezi Gule land reform Lieketso Dee Mohoto-wa Thaluki Massa Lemu memory mourning Mwenya B. Kabwe nation national identity Nomusa Makhubu Nondumiso Lwazi Msimanga performance art politics protest queer race racism redress ritual Same Mdluli Sarah Nuttall sexuality social media Steven Cohen Tracey Rose trauma upsurge women

The Crossing of Innumerable Paths
Artist/Author: Guy Brett | Reference: P4049 | ISBN: 978-1-909932-531 | Type: Publication

The fourteen essays bringing together a unique gathering of artists, many of whome make works which arise out of responses to the situation or the environment in which they find themselves.

activism Ana Mendieta Anne Bean Aubrey Williams body City Limits criticism curation Dias & Riedweg environment feminist Gego gender Gianni Colombo history Javier Téllez Jimmie Durham Len Lye Liliane Lijn live art Lygia Pape Mauricio Dias memory Monika Weiss Peter Kennard politics race radical art socially engaged time Victor Grippo Walter Riedweg

Which exhibition would you like to see at the Tate Gallery?
Artist/Author: Caroline Smith | Reference: A0867 | Type: Article

Female artists; suggestions to Nick Serota, as Tate expands to a fourth London gallery.

Liquid damage on publication.

curation discrimination feminism gender institution sexism Tate Tate Modern visual art

You Don’t Have to Have a Penis to be a Genius
Artist/Author: Suzi Gablik | Reference: A0869 | Type: Article

An interview with The Guerrilla Girls. Liquid damage on publication.

Part of The Library of Performing Rights (P3041).

curation discrimination feminism feminist art gender institutions money museum performance sexism visual art women

Roselee Goldberg Lecture
Digital Reference: EF5319 | Type: Digital File

Lecture held as part of MA Live Art at Queen Mary, University of London, 1/10/2018. Audio recording.

art history curation performa performance art

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