Catalogue > By Keyword > dance
422 results | Page 35 of 43
The Onda Report
On dissemination of performing arts in Europe. In French and English.
Paris Calling 09
Programme of the homonymous Franco-British season of performing arts.
X-Event
Compendium of notes on the construction and diffusion of several danced performances – The X-Event – dealing with expenditure of energy taken to its limits and the tensions between site specificity and history of use. For video documentation see REF. D1033/4/5.
Performance in Profile 06
Guide to UK companies and artists creating work available for international touring.
Performance in Profile 05
Guide to UK companies and artists creating work available for international touring.
Magazine - The Reprint
This is a film compilation of MAGAZINE EDITION 2, Hoyle's weekly live magazine nights with songs, interviews, dances, adverts and films with a weekly theme, presented by Duckie at the Royal Vauxhall Tavern.70 mins. Part of Access All Areas Screening Programme. Also available with subtitles as ED1123SUB. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Performance Space Moments
A collection of 24 photographs documenting a multitude of performance works that took place in Sydney’s Performance Space between 1982 and 2006.
.In oversize publications.
Surviving Words
Theron Shmidt in dialogue with Doran George and The Mourner’s Dance. Includes excerpts of correspondence between the writer and the artist.
X-Event 2.2
Dance, Performance, The X-Event , expenditure of energy, site specific,For notes on the construction and diffusion of these performances see REF. P1173.
X-Event 1 - 2.1
Includes: X-Event 1,Festival Faits d’Hiver, Paris, Théâtre l’ Echangeur, 12-13/01/2005; X-Event 2 (Vernissage), Centre d’Art Contemporain de Brétigny 5 February 2005; X-Event 2, Centre d’Art Contemporain de Brétigny, 8-12 February 2005; and an interview with the choreographers. For notes on the construction and diffusion of these performances see REF. P1173.
