Catalogue > By Keyword > death
119 results | Page 9 of 12
I Miss You
Documentation Bank: Franko B
Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
Talking Heads: Franko B
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
...exercises in nothing less than oxygen nothing shorter than breath
From publication ‘The National Review of Live Art 1979-2010 a Personal HIstory’ (essays, anecdotes, drawings, and images), edited by Dee Heddon and Jennie Klein, March 2010.
Raven
Performance documentation, 2010.
The performer marks a sacred space. She dons a Raven headdress. As she steps into the sacred space she begins a ritual of transformation.
Gbanjo… mo gbe de Performance
Folder containing notes on the performances: The Victim of Political Assassination, Quest for Gaia and Gbanjo… mo gbe de Performance.
The Body in Pain: The Making and Unmaking of the World
Part philosophical meditation, part cultural critique, this profoundly original work explores the nature of physical suffering.
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).
The Swimming Diaries
This book is exactly 25,000 words long which corresponds to the 25,000 metres or strokes the artist swam during the month her Mother was dying.
Performance Artists Talking in the Eighties
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Jack Smith’s Rehearsals for the Destruction of Atlantis: ‘Exotic’ Ritual and Apocalyptic Tone
Engaging a series of critical models, this article examines the place of the ‘exotic’ in thinking about sexual and racial difference, as a means of thinking difficult or volatile modes of cultural practice. As such, it stages a confrontation between ‘exotic ritual’ and ‘apocalyptic tone’, to challenge conventions about scholarly practice and find new ways of examining uncomfortable spaces and modes of working.
