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The Incorrigibles: Perspectives on Disability Visual Arts in the 20th and 21st Centuries
At the 2015 DASH symposium ‘Awkward Bastards’, artist and CEO of Shape Arts, Tony Heaton posed the question “Is the Disability Arts movement a forgotten movement? In response to this, DASH created a new book that aims to show that Disability arts is alive, well and demands recognition and a place within art history.
Leaky Bodies and Boundaries: Feminism, Postmodernism and (Bio)Ethics
A feminist investigation into the marginalization of women within western discourse that denies female moral agency and embodiment.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
Berliner Festspiele – Foreign Affairs
Programme Foreign Affairs 2012: a new international festival of contemporary performing arts in Berlin, where in recent years ‘international’ has become a local phenomenon. In German and English. Small publication in folder.
RE:akt! Reconstruction, Re-enactment, Re-reporting.
This item is referenced in the Dreams for an Institution Guide (P2313).
The Last Performance (A Lecture)
“Invited at the same time by the Hebbel Theatre in Berlin, the Tanz-Quartier in Vienna and the Centre National de la Danse in Paris to perform The Last Performance (D0624) I decided, instead of presenting the piece, to make a lecture about its issues. I had the feeling that this difficult piece had not been really understood. Maybe the piece was bad. But I believe that the issues of this piece were relevant, which is why I would like to change my medium and to use the tool of the lecture to try to articulate better the stakes of The Last Performance. I will re-contextualise the piece in its theoretical level through the texts of Roland Barthes and Peggy Phelan and in my artistic situation at that time.”Jérôme Bel www.jeromebel.fr This documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
