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Archives of the Ephemeral

Artist/Author: Pascale Grau, Margarit von Büren, Olivia Jaques, Tabea Lurk, Valerian Maly, Julia Wolf | Reference: P4121 | Type: Publication

Publication about the project which brought questions of archiving performance art to a broader public. In German and English.

Video/Art: The First Fifty Years

Artist/Author: Barbara London | Reference: P4109 | ISBN: 978-0714877594 | Type: Publication

The curator who founded MoMA’s video program recounts the artists and events that defined the medium.

 

Chit Chat in the New World

Artist/Author: Caroline Smith | Reference: A0871 | Type: Article

An interview with women at the forefront of art and technology.

Liquid damage on publication.

Global Screen Shots

Artist/Author: Sarah Bay-Cheng | Reference: A0857 | Type: Article

On Harbourfront Centre 2014 World Stage Festival, Toronto.

Xenofeminism

Artist/Author: Helen Hester | Reference: P3759 | ISBN: 978-1509520626 | Type: Publication

Develops a three–part definition of xenofeminism grounded in the ideas of technomaterialism, anti–naturalism, and gender abolitionism.

A.Bandit: A Secret Has Two Faces

Editor: Jane Hyun | Reference: P3686 | ISBN: 978-3791355641 | Type: Publication

The latest collaboration between Glenn Kaino and Derek DelGaudio, who work together as the conceptual performance art duo A.Bandit to make magical art. 

Applying Performance: Live Art, Socially Engaged Theatre and Affective Practice

Artist/Author: Nicola Shaughnessy | Reference: P3535 | ISBN: 978-1349317059 | Type: Publication

Draws upon cognitive and affect theory to examine applications of contemporary performance practices in educational, social and community contexts. The writing is situated in the spaces between making and performance, exploring the processes of creating work defined variously as collaborative, participatory and socially engaged.

This Vile Display

Artist/Author: Jon McKenzie | Reference: D2269 | Type: DVD

Experimental video essay.

Part of the Library of Performing Rights (LPR) (P3041).

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