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World AIDS Day Screening: Reza Abdoh
Digital Reference: EF5382 | Type: Digital File

Documentation of the event which featured a screening of Theatre Visionary, a documentary about Abdoh, as well as a discussion with film’s director Adam Soch and director and academic Alyson Campbell.

AIDS America directing gay health HIV Iran LADA screens LGBTQ medicine theatre

Theatre Blogging: the emergence of critical culture
Editor: Megan Vaughan | Reference: P4125 | ISBN: 978-1-350-06881-0 | Type: Publication

Tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today’s digital newsletters and social media threads.

acting activism Alison Croggon Andrew Haydon Andy Field casting Catherine Love Chris Goode criticism directing diversity dramaturgy economy Edinburgh Fringe Encore Theatre Magazine experimental fee funding George Hunka history internet Isac Butler James Varney journalism Katie Mitchell labour Laura Axelrod Lyric Hammersmith Maddy Costa mainstream Matt Trueman Matthew Freeman Michael Billington money National Student Drama Festival National Theatre objectivity PR race representation reviewing Royal Court social media The Guardian theatre twitter women working conditions

TALKER #1-8
Editor: Giles Bailey | Reference: P3777 | Type: Publication

Eight issues of the interview zine about performance.

America archetype audience autobiography belonging Brussels curation directing Dora García Early Shaker Spirituals experimental film Good Samaritans happenings Ian White Ibiza Black Flags Democracy ICA installation Jo Fong Kate Valk Kathy Acker language Mark Bruce Company monologue National Dance Theatre Wales New York City Players Oscar Masotta painting Paradiso parenthood participation Paul Maheke performance art playwriting Pompidou Centre Queens Row Rambert Richard Maxwell Rosas Spalding Gray Sue Tompkins Swimming to Cambodia The Killing Fields Ways of Being Together Wooster Group

Evolutionary Dreams
Artist/Author: Marcia B. Siegel | Reference: A0787 | Type: Article

On Meredith Monk.

avant-garde dance choreography dance directing film hybrid forms mime postmodernism Turtle Dreams Cabaret

To All Appearances: Ideology and Performance
Artist/Author: Herbert Blau | Reference: P3507 | ISBN: 978-0415013659 | Type: Publication

The author’s concerns – which include the social meaning of illusion and the cultural manifestation of power – take the reader from Eleanora Duse to Laurie Anderson; from the puppet theatre of Kleist to Kantor’s theatre of the dead; and from the Kutiyattam temple dancers in Kerala to Womanhouse in Los Angeles.

acting AIDS Antonin Artaud Bertolt Brecht body character commodification desire directing emotions gender history ideology language Marina Abramović modernism Oedipus performance art power realism Robert Wilson Roland Barthes Samuel Beckett Sigmund Freud spectacle subjectivity theatre theory truth Vsevolod Meyerhold William Shakespeare

Collaborative Theatre: The Theatre du Soleil Sourcebook
Editor: David Williams | Reference: P3312 | ISBN: 978-0415086066 | Type: Publication

The first in-depth sourcebook in English on the compant, providing first-hand accounts of the development of its collectivist practices and ideals.

Part of the Library of Performing Rights (LPR) (P3041).

1789 actor Ariane Mnouchkine audience Bertolt Brecht character collaboration costume dance devising directing Greek drama Guy-Claude Francois history human rights Kabuki L'Age d'Or mask music Rajeev Sethi Richard II theatre universal declaration of human rights William Shakespeare

It’s All Allowed: The Performances of Adrian Howells - review
Artist/Author: Antje Hildebrandt | Reference: A0736 | Type: Article

Book review.

acting Adrienne affect archiving audience authenticity autobiography bathing care Caridad Svich Christianity confession death depression directing documentation drag Edinburgh Fringe Ella Finer ethics family femininity Fintan Walsh Gary Gardiner gay Glasgay! Glasgow Helen Iball homosexuality humour Ian Johnston improvisation intimacy Jackie Wylie Jennifer Doyle Jess Thorpe Jon Cairns Kathleen Gough Katy Baird labour Laura Bissell loneliness love Lucy Gaizely Marcia Farquhar mental health Nic Green Nigel Charnock one-to-one participation performance art postdramatic theatre queer Rachel Zerihan ritual Robert Walton Rosana Cade sexuality Shelley Hastings socially engaged spirituality Stephen Greer Stewart Laing The Aches theatre Tim Crouch touch water

It’s All Allowed: The Performances of Adrian Howells
Editor: Deirdre Heddon and Dominic Johnson | Reference: P3196 | ISBN: 9781783205899 | Type: Publication

Citing Howells’ permissive mantra as its title, the book includes new writing from leading scholars and artists, as well as writing by Howells himself, an extensive interview, scores, and visual materials, which together offer new insight into the artist’s ground-breaking process.

acting Adrienne affect archiving audience authenticity autobiography bathing care Caridad Svich Christianity confession death depression directing documentation drag Edinburgh Fringe Ella Finer ethics family femininity Fintan Walsh Gary Gardiner gay Glasgay! Glasgow Helen Iball homosexuality humour Ian Johnston improvisation intimacy Jackie Wylie Jennifer Doyle Jess Thorpe Jon Cairns Kathleen Gough Katy Baird labour Laura Bissell loneliness love Lucy Gaizely Marcia Farquhar mental health Nic Green Nigel Charnock one-to-one participation performance art postdramatic theatre queer Rachel Zerihan ritual Robert Walton Rosana Cade sexuality Shelley Hastings socially engaged spirituality Stephen Greer Stewart Laing The Aches theatre Tim Crouch touch water

Creating by Annotating: The director’s notebooks of Jan Fabre and Jan Lauwers
Artist/Author: Timmy De Laet, Edith Cassiers & Luk Van Den Dries | Reference: A0717 | Type: Article

Reversing the common understanding of annotation as a posterior act of adding information to already existing sources, this article argues that annotation also serves as a pre-performance procedure facilitating artistic creation.

artistic process Bernard Stiegler body criticism directing documentation movement performance postdramatic theatre text theatre theory

The Regenerative Ruination of Romeo Castellucci
Artist/Author: Timmy De Laet and Edith Cassiers | Reference: A0722 | Type: Article

This article proposes an expanded understanding of Romeo Castellucci's radical performance work as a genuine theatre of ruins.

aesthetics artistic process criticism destruction directing Socìetas Raffaello Sanzio theatre theory via negativa

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