Catalogue > By Keyword > disability
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Kontejner: Curatorial Perspectives on the Body, Science and Technology
One thing that all Kontejner’s projects have in common, at least from an entirely subjective viewpoint, is precisely that very direct, unequivocal focus on that which is “human, all too human” or phenomena that coexist with the standards of humanity. In this sense, Kontejner’s work is a permanent cabaret with acts that deal with the transgression of social conventions, with passions and fears related to machines and cybernetic mechanisms, obsessions with sensual pleasures and obstacles that prevent us from indulging in them…- Maroje Mrduljas, architecture and design critic, Zagreb.
The Politics of Space: Difference as Discourse in the work of Juliet Robson
Written by Jordan McKenzie reviewing the Norman artwork by Juliet Robson and held in the Live Art Development Agency Archive. Find article in misc. folder 2
Katherine Araniello archive
Works from 2007-2009.
The Scar of Visibility: Medical Performances and Contemporary Art
Examines the use of medical imagery practices in contemporary art, as well as different arts of everyday life (self-help groups, community events, Internet sites), focusing on fantasies and “knowledge projects” surrounding the human body.
Throwing the Body into the Fight
With post-show discussion.“Pier Paolo Pasolini wrote of throwing the body into the fight. These words inspired me to go on stage. Other inspirations are the reality around me, the time in which I live, my memories of history, people, images, feelings and the power and beauty of music and the confrontation with one’s own body which, in my case, does not correspond with conventional ideals of beauty. To see bodies on stage that do not comply with the norm is important – not only with regard to history but also with regard to present developments, which are leading humans to the status of design objects. On the question of success: it is important to be able to work and to go your own way – with or without success. I simply do what I have to do.“www.raimundhoghe.comThis documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.
Knocking
This item is part of the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529)
Make Yourself Comfortable
Artist documentation.
My body did everything I asked it (1990)
Unedited copy of video documentation made at the National Review of Live Art, University of Bristol Theatre Collection, Alan McLean, My body did everything I asked it (1990). This item is part of the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529)
Terminal Services & Vital Statistics
Videos of two performances by Katherine Araniello: Terminal Services (2009) and Vital Statistics (2009)
Part of Access All Areas Screening Programme. Also available with subtitles as ED1427SUB. This item is part of the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529)
Shaken Not Stirred
series of articles in Versus Magazine and Disability Arts Magazine about Heaton and an installation work from 1991 that was resurrected as performance protest in response to Telethon 1994. includes Observer article about it. This item is part of the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529)
