Artist/Author: Petra Kuppers | Reference: P3321 | ISBN: 978-1137605719 | Type: Publication

How do disabled people experience theatre, as both audience members and performers? How has the institution of theatre responded to disability over time? How can we create new spaces for performance and attend to different communities’ forms of expression?

Artist/Author: DASH | Reference: D2275 | Type: Publication

Raw material from a the Live Art event in Much Wenlock, Shropshire in May 2012.

Part of the Library of Performing Rights (LPR) (P3041).

Artist/Author: freeDimensional | Reference: P3315 | Type: Publication

Toolkit from the network of socially progressive residential artist communities.

Part of the Library of Performing Rights (LPR) (P3041).

Artist/Author: Ju Gosling | Reference: D2258 | Type: DVD

Video. Commissioned by the Science Museum and Apples and Snakes as part of the Faltered States show. Performed at the Science Museum on 21 March 2003 and at Battersea Arts Centre on 28 March 2003.Part of the Library of Performing Rights (LPR) (P3041).

Artist/Author: Di Clay | Reference: D2254 | Type: DVD

Unedited documentation of the 2006 street action. Part of TARIDS, Ispwich.

Part of the Library of Performing Rights (LPR) (P3041).

Artist/Author: Sarah Gorman | Reference: A0735 | Type: Article

The article interrogates the use of amateur and professional disabled performers in the emerging strain of performance practice known as ‘performing failure’.

Artist/Author: Marcus Tan | Reference: A0715 | Type: Article

Analysis of representation and interculturalism in Back to Back Theatre's production.

Artist/Author: Imogen Tyler | Reference: P3156 | ISBN: 978-1848138513 | Type: Publication

Explores the processes through which specific populations are figured as ‘revolting’ as well as the practices through which these populations ‘revolt’ against their subjectification.

Part of the Study Room Guide on Live Art and class and cultural privilege. (P3152)

Artist/Author: Tod Browning | Reference: D2236 | Type: DVD

Now regarded as a landmark film but virtually disowned by MGM when it was first produced, Browning’s film, set in a travelling circus, works as an old-fashioned morality play against avarice. Browning used a collection of handicapped actors and performers for the circus community, which initially welcomes the beautiful trapeze artist Cleopatra into their group when she marries midget circus owner, Hans.

60 minutes.

Part of the Study Room Guide on Live Art and Kids (P3091).

Reference: P3089 | Type: Publication

A publication detailing the projects delivered through Unlimited; includes a collection of 16 postcards.