Editor: Carrie Sandahl and Philip Auslander | Reference: P2346 | ISBN: 9780472068913 | Type: Publication

Collection of essays.

Artist/Author: Susan Croft | Reference: P2330 | ISBN: 978-1-903454-02-2 | Type: Publication

This publication tries to reproduce an exhibition that tried to give the summation of a rich and diverse movement

Editor: Helena Grehan and Peter Eckersall | Reference: P2324 | ISBN: 978-1-9906499-03-7 | Type: Publication

This book gathers key perspectives on Back to Back Theatre and the company's most influential shows

Artist/Author: Aaron Williamson | Reference: P2229 | Type: Publication

a body of work related to The Affligare, a medieval European tribe of disabled mendicants, or ‘beggar cripples’

Artist/Author: Back to Back Theatre | Editor: Alice Nash (General Manager) | Reference: P2179 | Type: Publication

Information pack, press reviews, photographs and marketing material from Back to Back Theatre’s performance piece Small Metal Objects (2005)

Artist/Author: Petra Kuppers | Reference: A0548 | Type: Article

Located in Miscellaneous Articles folder 5A.

Artist/Author: Back to Back Theatre | Reference: D2066 | Type: DVD

Pod3 is an experimental performance installation developed over four days by participants of the Awakenings Festival in collaboration with Back to Back Theatre. Running time 5 minutes.

Artist/Author: Back to Back Theatre | Reference: D2065 | Type: DVD

Designed to be performed in a sheltered outdoor civic space, Small Metal Objects seeks to realise the inner realm and simultaneously re-interpret the exterior urban environment as a new performance landscape. Running time 45 minutes.

Reference: P2167 | Type: Publication

The Unlimited festival at the Southbank Centre was the largest ever festival in the UK celebrating disabled and Deaf artists, breaking new ground both for the venue and the artists.

Artist/Author: Gina Czarnecki | Editor: Boo Chapple, Sarah-Jayne Parsons | Reference: P2137 | ISBN: 978-0-953-899616 | Type: Publication

In a context of collapsing certainties about Europe’s economic and political system, the resurgence of actions towards collective responsibility-making, the timing of this book is perfect. Czarnecki springs open trapdoors back into childhood imagination and causes us to look again at how we address issues of human responsibility to each other and to the world which we hold in common. This is art that responds to the often white-coated ‘cleanliness’ of scientific research.