Publication on the group exhibition exploring current international developments in socially engaged art practices. CAA, 28 January – 12 March 2017.

A reengagement with four workshops, facilitated within HZT Belin’s BA Dance, Context, Choreography programme between 2014-2016. Consists of four publications, reflecting on the entanglement of artistic and pedagogic practices.

Publication on the project conducted in October 2016. The artist made hand-sewn garments, wearing only one until the next one was made, and exploring the relationship between art and ecology.

Festival catalogue.

An object consisting of two parts: a publication of articles and transcripts which reflect upon the 15 years of discourse that brought dance and choreographic practice and theory together in Dansbaren; and a tablecloth of topics—a tool for continuing dialogues which invites the reader to lay it on the table, welcome others to the table, and put dance and choreography discussions, literally, on the table. 

Zine of the research-based project, which uses objects left behind by those who are seeking a better life and/or have to move to survive.  The objects were left behind on the Greek island of Lesvos and at a transition centre in Serbia and have been “borrowed” by people living in London, used to start conversations with young people, in installations and as part of performances.

This book focuses on this award-winning artist’s relationship to Europe and the Mediterranean and explores how one relates to a particular place. Published to accompany exhibitions at the Whitechapel Gallery (Sept 2015 – Jan 2016) and IMMA (Oct-Dec 2016).Part of the Study Room Guide on Live Art and Displacement (P3107).

Phase 1 report on the project which seeks to challenge ageist attitudes that, being old, residents will not wish to enjoy up-to-date work, and provides care home residents with access to top level arts experiences, even if they are physically or mentally frail.

Part of the Know How: The Study Room Guide on Live Art Live Art and working with older individuals and communities. (P3140)

Written by The People Show’s longest standing and original member, the publication chronicles a very other, non-mainstream way of making art, of living and breathing this art and all that it stands for, during the course of 50 years.

Published as part of the eponymous exhibition at the Barbican 14 July – 4 September. Surveys the Icelandic artist's practice from his student work to today.

This item can be found in the locked glass cabinet.