Anatomy Live turns the modern notions of the dissecting table on its head – using anatomical theatre as a means of obtaining a fresh perspective on representations of the body, conceptions of subjectivity, and own knowledge about science and the stage.

Editor Chon A. Noriega collects ephemera gathered from Gamboa’s three-decade-long dadaistic career. The book includes interviews with artists, poetry, fiction, collaged images, documentation of public and staged performances, photographic portraits of Chicano men, and political writings, including an essay on public schools reflecting his son’s first year in kindergarten. 

Includes DVDs, programmes, flyers. In two folders.

Includes: Icing (Oval House, 1978), Circus Lumiere, Abduction (ICA, 1992), Beauty and the Beast (1983), Paradise (ICA, 1989), Panic I, (Camden Music Festival, 1987), Panic II (Gardner Cente Brighton, 1987), Vulture Culture (Brisbane, 1987 and Henley Festival, 1984), Special Forces (Oval House, 1976), Jean Pool (1979) , War Dance (Nottingham Castle, 1989), Deadwood  (Kew Gardnes, 1986), Senseless (ICA, 1983), Brightside (1984), Dinning with Alice (1999 and 2011), Fifty-Five Years of the Swallow and the Butterfly (Penzance, 1990), Glazed (Chapter, 1979),  Giants (Birmingham Arts Lab, 1979),  Entertaining Strangers (Lyric Hammersmith, 1986),  Slips (1981), Son of Circus Lumiere (Edinburgh Festival, 1982), Why is Here There Everywhere Now? (Riverside Studios, 1991), Heart of Ice (The Place, 1987), String of Perils (Albany Empire, 1980), The Appeal (Channel 4, 1982), Tip Top Conditions (1981 and 1988), Dogs (Oval House, 1976)

The first monograph of the Chicago-based contemporary artist, who transforms spaces, institutions, traditions, and perceptions. Includes interview with the artist, essays and photos. 

The book explores Weaver’s collaborative work with Split Britches and Spiderwoman as well as her solo projects, performance interventions, and work as a facilitator, teacher, and as Tammy WhyNot.

A comprehensive survey of the artist's practice, including in-depth analysis of Nedregård's performances Vertigo of the Mind, and You, Me and The Other.

Using Jerome Bel's Disabled Theater – a dance piece that features a company of professional disabled actors – as the basis of a broad, interdisciplinary discussion of performance and disability, this volume explores the intersections of politics and aesthetics, inclusion and exclusion, and identity and empowerment. 

Catalogue for the Kunstsammlungen Chemnitz exhibition Andy Warhol: Death and Disaster, curated by Heiner Bastian. November 2014 – February 2015.

Catalogue for the 2014 Flat Time House exhibition, which comprised of elements of the many modes of Reedy’s production across decades, including video and audio works unseen and unheard since the 1970s and 80s.

An edited collection of work made between 15th and 25th September 2010 for b-side festival. Drawings by Joff Winterhart ; text and design by Sue Palmer. Includes a CD with the song composed by the piece.