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BLOOD & SOIL: we were always meant to meet…
A performance document of a project that took place at West Everton Community Council in Liverpool, April 2011 (funded by Arts Council England). The piece was conceived as a ‘community exam’ where the audience members took the ‘Life in the UK’ test – an obligatory test for all immigrants applying for British citizenship and for Indefinite Leave to Remain.
Above Snakes
A catalog of work from a 2014 exhibit by Jamie McMurry entitled “Above Snakes”
Timepiece
Copy of a manuscript taken from a 2010 PhD in the Department of Visual Culture at the National College of Art and Design in Dublin.
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
Civil Twilight & Other Social Works: And Other Social Works
Documentation of projects investigating environments for societal production of civic understanding through a series of durational performances that encouraged discursive public encounters in civic squares and related urban environments.
Live Art Development Agency Study Room Guide: On Documentation
A small selection of study room material on the subject of documention.
Fuzzy
Video commisioned for “Documenting Intimacy”, a research initiative piloted by Brian Lobel and Marisa Zanotti to explore documenting one-to-one performance from the perspective of artists.
Performance Art in Ireland: A History
Publication devoted to the history and contemporary forms of Irish performance art in the north and south of Ireland.
DIY 11: 2014 - Manuel Vason ‘The Photo-Performer’
Collage of printed images on book by the DIY 11 workshop participants with the artist.
Presence-absence Polarity Destabilised
Review of Amelia Jones and Adrian Heathfield’s edited volume “Perform, Repeat, Record: Live Art in History” (2012).
Portfolio: Black Market Knowledge
This portfolio of photographs presents the work of Berlin-based Hannah Hurtzig and her Mobile Academy.