In Radical Gestures, the first comprehensive history of feminist performance art in North America within the social context of the feminist movement and avant-garde art from the 1970s to 2000, Jayne Werk shows that artists drew from feminist politics to create works that, following a long period of modernist aesthetic detachment, made a unique contribution to the re-politicization of art.

Collection/selection of past works since 2000. Images, power point presentation, CV, biographic statement, review of market stall performance in Toronto by Natalie Loveless as part of International Festival of Performance. Power point presentation of images from ‘In Place of Passing’ project initiated by Conolly and facilitated by Beyond Etc.

Includes DVD. Catalogue for a conference in Vercelli and Turin in November 2010, Affective Archives. The catalogue gathers project documents, manifestos and contracts, open calls, addresses to the speakers and self-reflective essays, besides all the abstracts of papers and a selection of images gleaned from the spectatorial documentation that was specifically encouraged.

Spanning over 15 years, Occupations is the most comprehensive survey of Jordan McKenzie's work to date. Beginning in the 1990s, through an engagement with body based and queer performance practices, his work has gone on to explore drawing as a live activity as well as questions of class and identity.

For more on Niko Raes’ work, go to www.bodyrefuse.be. Niko Raes is an Antwerp-based artist. Working with his own body in Live Art, Photography, Video and sculpture.

Point. 1: I was just listening to Radio 4 telling me about komodo dragons laying virgin birth eggs, and David Attenborough once taught me about a plant at the bottom of a sea that grows flowers, which become jellyfish, that then give birth to seeds that become plants.

Point. 2: I am a makeshift domestic goddess and my life is in a makeshift world, I’ve got all the right whisks and piping bags, but my apron is stained.

If You Want Bigger Yorkshires You Need a Bigger Tin is a show about Lucy’s ‘to trans, or not to trans’ search for her femininity.

This work is part of a project ‘Life in Bytom’. which was presented at the CSW Kronika in Bytom, Poland, between 24 November 2012 and 26 January 2013. Duration, 27 minutes. Polish with English subtitles.

This manual isn’t for theatre technicians and it doesn’t aim to make you into one. What it aims to do is give you a greater understanding of how to approach, plan and execute technical set ups in order to make your artistic visions a reality.

Critical Art Ensemble is a collective of tactical media practitioners of various specializations, including computer graphics and web design, film/video, photography, text art, book art, wetware, and performance.