Part game, part improvisation, this unique 24-hour live experience pits alternating pairs of performers against one another as they test their opponents with an avalanche of questions.

Recording on a hard drive. 

Recorded 12-13 April 2013 at the Barbican; part of SPILL.

In a safe box.

The Mums and Babies Ensemble was a series of public workshops and events convened by three mums/theatre-makers and their babies. It was prompted by the desire to integrate the structure and chaos of performance-making and motherhood, to create a space that would meet the needs of the parents and babies equally, to capture some memories, to grow a community, and to pass something on eventually.

By institute for the Art and Practice of Dissent at Home.

A collectio of texts and images on the work of the German choreographer and dramaturg. Photos by Rosa Frank, Luca Giacomo Schulte, Jacqueline Chambord and Raimund Hoghe. Texts in English, French, German.

Special Issue:  The politics, processes, and practices of editing. Also includes sections on commissioning, authoring, submission, curation, production, and dissemination.

An extensive series on Lin Hixson and Goat Island.

Special issue of the Italian periodic on TEATR.DOC Moscow. Text in Italian. 

Dramaturg and curator Norman Frisch discusses qualities that distinguish theater from other “time-based art,” highlighting connections to mystery and classicism. 

T, his special issue of Contemporary Theatre Review focuses on a single writer, contemporary British playwright Martin Crimp. Includes a review of Ron Athey’s monography “Pleading in the Blood” and Jennifer Doyle’s book “Hold it Against me”.

In this article, Tom Sellar begins to define the mercurial role of the performance curator that has been emerging at the intersections of theatrical practice and the visual arts and their presentation.

Brings together the action art and performances of the Belgian artist from the 70s to the present: drawings, thinking models, collages, films, photos and other documentation.