Amanda Coogan collaborates with 13 performers to explores the Church Street disaster of 1913 and its parallel with contemporary Irish society.

The performance took place in the Hugh Lane Gallery over 12 hours. It was captured in this video using timelapse photography, the entire 12 hours resulting in a new 8 minute film.

Film: Paddy Cahill

Sound Design/Composition: Mike Glennon

Part game, part improvisation, this unique 24-hour live experience pits alternating pairs of performers against one another as they test their opponents with an avalanche of questions.

Recording on a hard drive. 

Recorded 12-13 April 2013 at the Barbican; part of SPILL.

In a safe box.

On Monday 28 May 2012, Noëmi Lakmaier undertook a slow and exhausting test of endurance – an attempt to crawl from Toynbee Studios towards ‘The Gherkin’.

Film: Hydar Dewachi. 14:39
 

In his third one-year performance piece, from 26 September 1981 through 26 September 1982, Hsieh spent one year outside, not entering buildings or shelter of any sort, including cars, trains, airplanes, boats, or tents.

SD Video 31’ 15 video, colour, sound

Active in Moscow since 1976, the Collective Actions group played a key role in the development of conceptual and performance art in the Soviet Union. Inspired by the work of John Cage, the organizers invited audiences to take part in minimal, outdoor actions in fields and forests on the edges of the city that explored the nature of the aesthetic event. The publication concentrates on the early period of field actions when the problems of documentation—how to capture and convey ephemeral action to non-participants—were just beginning to be considered.

The author provides a philosophical reflection on the issues of democratic bodies and citizenship in Ireland through a survey of the work artist Sandra Johnson.

This exhibition catalogue brings together material from the artist’s private archive: images, texts, diaries and other ephemera that act as points of reference in Abramović’s oeuvre. The publication includes an essay by the exhibition’s curator, Sophie O’ Brien, and also tracks, through diary entries and photographs, Abramović’s journeys in Brazil in 2013, which informed her planning for the exhibition at the Serpentine Gallery.

Video recording of the performance presented as part an extensive programme curated by Lois Keidan and Aaron Wright (Live Art Development Agency) entitled “Just Like A Woman”, composed of lectures, performances, readings, installations, screenings, workshops and debates on performance of identity, is fully dedicated to the impact of performance on feminist histories and the contribution of artists to discourses around contemporary gender politics.  From the 19th edition of the City of Women (Mesto žensk) festival – 2-13 October 2013, Ljubljana, Slovenia – entitled “Let’s create a place for ourselves” on public space and politics.

Review of performances from the Sydney Gay and Lesbian Mardi Gras at Performance Space, Carriageworks, Sydney, 13-15 Feb.

Collection of video documents of the Swedish performance artist’s work.