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The Art of Being Many - A position paper

Artist/Author: Geheimagentur | Reference: A0706 | Type: Publication

Paper setting out new forms of audience participation in political and ethical terms.

Part of the Study Room Guide on Live Art and Kids (P3091).

In misc folder 6.

Symbiotic beasts

Artist/Author: Kirsten Lloyd and Juliana Capes | Reference: A0700 | Type: Article

A report from the StabilityMobility Sharing conference held in Rotterdam.

Rise with your class not from it

Editor: Emmanuelle Waeckerlé | Reference: P3069 | ISBN: 9780957682870 | Type: Publication

A lasting trace of and a vehicle for the Working Press, a collective publishing imprint which had the subtitle books by and about Working Class Artists, 1986-1996. The publication highlights some important works by working-class artists while providing a valuable resource for anybody interested in working with archive material.

Border as Method, or, the Multiplication of Labor

Artist/Author: Sandro Mezzadra and Brett Neilson | Reference: P3024 | ISBN: 978-0822355038 | Type: Publication

Mezzadra and Neilson explore the atmospheric violence that surrounds borderlands and border struggles across various geographical scales, illustrating their theoretical arguments with illuminating case studies drawn from Europe, Asia, the Pacific, the Americas, and elsewhere.

Theatre and Migration

Artist/Author: Emma Cox | Reference: P3016 | ISBN: 978-1137004017 | Type: Publication

A vibrant introduction to theatre that engages with stories, conditions and experiences of migration.

Theatre and Museums

Artist/Author: Susan Bennett | Reference: P3003 | ISBN: 978-0230580206 | Type: Publication

Bennett looks at the collaborative processes that intertwine these two cultural practices. She argues that discourses of performance studies can open up new avenues of inquiry about the production and reception of the museum experience and its place in contemporary culture.

Illiquid Assets

Artist/Author: Morgan Quaintance | Reference: A0682 | Type: Article

Pandering to the real or imagined demands of private finance distorts the art world, silencing dissent and stifling politically or socially engaged art in favour of consensus and what is known in the trade as ‘investment grade art’.

I Hate America! (I Love America) - documentation

Artist/Author: Lucky Pierre | Digital Reference: EF5219 | Type: Digital File

Clip from 10 hours of live continuous conversation between participants in London and Chicago compressed to 30 minutes. Participants discussed one of the five topics addressed in the question “Who Owns Myth, Pop, Money, Race, and Terror in the Land of the Free?”.

Part of DIY 13.

30:47

Butlers Wharf

Artist/Author: Chisenhale Studios | Reference: A0663

Includes history background information and  chronology of artists.

Found in miscellaneous article folder #6

This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)

Donation

£