Catalogue > By Keyword > emotion
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Rage and Time
The preeminent posthumanist shows how the history of Western civilization can be read as a suppression and return of rage.
Friendship
Article from The Edinburgh Companion to Animal Studies. names the raw, sensuous, delicate, multi-dimensional, secret intelligence shared by sentient beings at the moment of their extended encounter.
In misc. folder 7
Affect, Animals, and Autists
Maps connections across performances that question the borders of the human whose neurodiverse experiences have been shaped by the diagnostic label of autism, and animal-human performance relationships that dispute and blur anthropocentric edges.
Applying Performance: Live Art, Socially Engaged Theatre and Affective Practice
Draws upon cognitive and affect theory to examine applications of contemporary performance practices in educational, social and community contexts. The writing is situated in the spaces between making and performance, exploring the processes of creating work defined variously as collaborative, participatory and socially engaged.
Theatre and Mind
All performance depends upon our abilities to create, perceive, remember, imagine and empathize. This book provides an introduction to the evolutionary and cognitive foundations of theatrical performing and spectating and argues that this scientific perspective challenges some of the major assumptions about what takes place in the theatre.
Theatre and History
This provocative book meets the supposedly ‘live’ practices of performance and the ‘no-longer-live’ historical past at their own dangerous crossroads. Focussing on the ‘and’ of the title, it addresses the tangled relations between the terms, practices, ideas, and aims embedded in these compatriot – but often oppositional – arts and acts of time.
Theatre and Time
Explores how different concepts of time – including linear clock time, the cyclical time of the planets and seasons, the rhythms of the body and individual memories – have impacted on and been reinforced by theatre throughout history, from medieval times to the present day.
Audience Participation in Theatre: Aesthetics of the Invitation
This book presents a theory of audience participation in the theatre, based on the importance of the moment of invitation and how an event changes character when such an invitation is made.
Trashing Performance, Under- and Overwhelmed: Emotion and Performance, Panel
Performance Matters, Trashing Performance Talks, Under- and Overwhelmed: Emotion and Performance, Panel discussion, David Hoyle, Bird la Bird, Lisa Blackman, Adrian Heathfield (chair). Part of the Trashing Performance programme – the second year of Performance Matters – 25-29th October 2011.
Trashing Performance, Under- and Overwhelmed: Emotion and Performance, In Conversation
Part of the Trashing Performance programme – the second year of Performance Matters – 25-29th October 2011.
