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To All Appearances: Ideology and Performance
Artist/Author: Herbert Blau | Reference: P3507 | ISBN: 978-0415013659 | Type: Publication

The author’s concerns – which include the social meaning of illusion and the cultural manifestation of power – take the reader from Eleanora Duse to Laurie Anderson; from the puppet theatre of Kleist to Kantor’s theatre of the dead; and from the Kutiyattam temple dancers in Kerala to Womanhouse in Los Angeles.

acting AIDS Antonin Artaud Bertolt Brecht body character commodification desire directing emotions gender history ideology language Marina Abramović modernism Oedipus performance art power realism Robert Wilson Roland Barthes Samuel Beckett Sigmund Freud spectacle subjectivity theatre theory truth Vsevolod Meyerhold William Shakespeare

Avant-Garde Theatre Sound: Staging Sonic Modernity
Artist/Author: Adrian Curtin | Reference: P3108 | ISBN: 978-1349459063 | Type: Publication

Explores how artists engaged with the sonic conditions of modernity through dramatic form, characterization, staging, technology, performance style, and other forms of interaction.

abstraction acoustic aesthetics affect audience body cinema costume Dada dadaism death embodiment emotions environment Esperanto Filippo Tommaso Marinetti futurism hearing historiography Hugo Ball imaginary internationalism Kurt Schwitters language listening Maurice Maeterlinck music noise poetry politics primitivism reproduction Richard Hülsenbeck Richard Wagner semantics symbolism telephony theatre Velimir Khlebnikov vibration voice Walter Benjamin

Tearjerkers and Mindgames
Artist/Author: Luk Van den Dries | Reference: A0402 | Type: Article

On Emil Hrvatin’s theatre work.

affect Emil Hrvatin emotions Janez Janša Luk Van den Dries memory participation Slovenia theatre theatre of memory

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