Catalogue > By Keyword > Ernst Fischer
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An Introduction to the Phenomenology of Performance Art : SELF/s
Applying a queer phenomenology to unpack the importance of a multiplicity of Self/s, the book guides readers to be academically rigorous when capturing embodied experiences, featuring exercises to activate their practices and clear introductory definitions to key phenomenological terms. Includes interviews and insights from some of the best examples of transgressive performance art practice of this century help to help unpack the application of phenomenology as Bacon calls for a queer reimagining of Heidegger’s ‘The Origin of the Work of Art.’
Landscapes: John Berger on Art
In this collection of diverse worksessays, short stories, poems, translationswhich spans a lifetimes engagement with art.
Transformance programme
Exhibition / project programme. Tempting Failure, 17-21 July 2018.
Ouch: Pain and Performance
A LADA screening programme for the 2016 Venice International Performance Art Week: a collection of documentation and artists’ films looking at pain and performance.
Includes:
Marina Abramovic – On ‘Rhythm O’, 1974, 2013, 3’07” ; Ron Athey – Ron’s Story, 2001, 4’44”; Marcel.Li Antunez Roca – Epizoo, 1994, 8’29; Franko B – Don’t Leave Me This Way, 2009, 5’03”; Wafaa Bilal – On ‘Shoot An Iraqi’, 2007, 2’21”; Rocío Boliver – Times Go By and I Can’t Forget You: Between Menopause and Old Age, 2013, 4’18”; Cassils – The Powers That Be, 2016, 2’24”; Bob Flanagan – Cystic Fibrosis Song, 1990’s 1’32”; Regina Jose Galindo – Lucha, 2002, 3’37”; jamie lewis Hadley – this rose made of leather, 2012, 9’10”; Nicola Hunter & Ernst Fischer – Passion/Flower, 2012, 4’02”; Oleg Kulik – Dog House 1996, 4’10”; Martin O’Brien – Taste of Flesh, 2015, 2’59”; Kira O’Reilly – Wet Cup, 2000, 2’29”; ORLAN – Successful Operation, 1990, 6’16”; Petr Pavlensky – Radical Artist In Court – Ukraine Today News Item, 2015, 1’57”
Review - Double Exposures: Performance as Photography, Photography as Performance by Manuel Vason
Review of Vason’s book, published by the Live Art Development Agency and Intellect Books.
Double Exposures
Double Exposures is a new collaborative venture between Manuel Vason and forty of the most visually arresting artists working with performance in the UK.
The Dinner Party
PDF publication collating three commissioned essays written by performance artist Marcia Farquhar, Ella Finer and Lois Keidan, Director of the Live Art Development Agency with additional text by Katherine Araniello. The essays have been written especially for The Dinner Party performance.
The Book of Blood
Leibniz, together with a host of guest artists, presents The Book of Blood, an ongoing performance and multi-performative experience that explores issues relating human rights and (dis)enfranchisement whilst aiming to facilitate the spectator’s active contribution in participation. Each visitor is invited to donate a drop of blood to be used as ink in the writing of the Universal Declaration of Human Rights into a thick, leather-bound book. This video and photographs are taken from PSI 12, Queen Mary, 2006. Includes a performance leaflet/document.
Ernst Fischer – Images
Series of photographs documenting some of the works of German-born, London-based performance artist Ernst Fischer: Brixton Heart Room (in collaboration with Franko B); The Book of Dust (in collaboration with Manuel Vason); The Art of (Self-)Service; Remains of the Day. Includes a list of images with titles.
