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Words Wading, Performance Writing Origins, special issue
This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)
How to Do Things With Words: textual typologies and doctoral writing
This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)
A Brief History of Working with New Media Art: Conversations with Artists
The Anatomy of Desire
A Brief History of Curating New Media Art: Conversations with Curators
The Anarchy of Silence: John Cage and Experimental Art
Difference on Display: Diversity in Art, Science and Society
This item is part of the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529)
Theatre & the Body
Mother’s 200-2005: Traces of the Future
Accompanying the Japanese Pavilion’s contribution for the Venice Biennale, Ishiuchi’s personal and touching photographic essay ‘Mother’s’ explores the concepts of memory and loss through a series of close-up portraits of her mother immediately prior to her death interspersed with photographs of some of her mother’s personal possessions. In Japanese and English. The exhibition mother’s 2000-2005: traces of the future was presented at the 51st International Art Exhibition, the Venice Biennale, from June 12 through November 6, 2005.
Rite
This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)
