Catalogue > By Keyword > ethics
126 results | Page 11 of 13
Labour Practices: Ethics of Service and Ideas of Labour in Performance
Looks at the ways in which artists use ideas of service and labour as creative strategies. Find in misc. articles folder 2
Walking, Writing and Performance
Charts three projects by performers who generate autobiographical writing by walking through inspirational landscapes.
This item is referenced in the Making Routes Study Room Guide (P1964).
Art, Ethics and Cultural Value: a study room gathering
An audio recording of Art, Ethics and Cultural Value, a study room gathering.A collaboration between the Live Art Development Agency and Platform and Malte Beisenhertz
Life [in Progress]
This book is the printed extension of Janez Jan a’s installation Life [in Progress]. Complete with photo cards and carry bag.Life [in Progress] is composed of written, photo, and video instructions. The spectators are the actors; walking past the instructions they create the performance according to their own rhythm, sensibility, belief and (non-) activity.
Shelved in Oversize publications section.
Fresh Tips: Ethics
John Jordan’s talk at Fresh Tips ,Queen Mary University of London, 2011
Fresh Tips 2
Fresh Tips 1 – 8
The Bodies That Were Not Ours and Other Writings
Gathers together Fusco’s finest writings since 1995 and includes critical essays by Jean Fisher and Caroline Vercoe that interpret her work.
Do It Yourself; A Handbook for Changing our World
A collection of dynamic ideas which explore how we can build radical and meaningful social change, ourselves, here and now.
Farafin a ni Toubabou - black and white ethical projects
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An on-demand dvd, published by the Live Art Development Agency: Artist and theoretician Adrien Sina presents a compilation of film works and documentation taken from performances, instruction pieces and videos from 2005-2007.
This dvd contains eight works made on location in France, UK and Mali
Surveillance Spectacles: The Big Art Group’s Flicker and the Screened Body in Performance
This article analyzes the question of where the dominant mode of production lies – on the screen, where action and a singular character identity cohere, or behind the screen, where the embodied difference of the actors is continually prioritized.