Catalogue > By Keyword > EU
11 results | Page 1 of 2
Queer exceptions: Solo performance in neoliberal times
A study of post-millennial solo performance in the UK and Western Europe that explores the contentious relationship between identity, individuality and neoliberalism.
Part of Library of Performing Rights (P3041).
The Day of the Duck
Explores Englishness, pseudo public space and what it is to be considered an unwelcome migratory visitor in contemporary Britain through the eyes of a particularly pesky Muscovy duck.
Part of the Library of Performing Rights (P3041).
Learning in Public: Transeuropean Collaborations in Socially Engaged Art
Reflects on CAPP (Collaborative Arts Partnership Programme), which took place 2015-2018.
Stories on Human Rights
Twenty two 3 minute shorts directed by international filmmakers to mark the 60th Anniversary of the Universal Declaration of Human Rights.
Part of the Library of Performing Rights (LPR) (P3041).
¿hablamos del mismo mundo o vivimos en mundos diferentes?
A performance based on interviews with migrants to Austria.
My Neck Of The Woods
A live documentary made in collaboration with a group of young people, set on the streets of Manchester. To take part you go online and choose from 3 people’s streams.
Turn, Turtle! Reenacting The Institute
Sx essays, three interviews, and six case studies of performance makers, institution directors, and thinkers, proposing diverse strategies of implication and engagement, opening up possible futures and alternative exchanges between parties that are often too often still seen as adversaries.
Integration Impossible?: The Politics of Migration in the Artwork of Tanja Ostojic
Artist book published as a follow up to the eponymous exhibition; the book presents around 20 art projects realised between 2000 and 2008.
Kunstpavilion Innsbruck, 19 September – 8 November 2008.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Performances of Capitalism, Crises and Resistance: Inside/Outside Europe
This engaging study examines the issue of crisis in European performance since the collapse of global financial markets in 2008. The book’s chapters examine diverse performances of crisis primarily in three cities with a loaded past and present for Europe, as idea and geopolitical reality: London, Athens and Berlin.
Fallen Fruit - Now Here - Now Gone
Work in Progress. Arolfini, Bristol. November 2010.