audience Bali body Charles Marowitz Constant Prince documentation Eric Bentley Eugenio Barba Europe Harold Clurman history human rights Jan Kott Konstantin Stanislavski Laboratory Theatre Paratheatre participation Peter Brook physical theatre Poland poor theatre Ryszard Cieślak theatre universal declaration of human rights Vsevolod Meyerhold Workcentre

aesthetics appropriation audience Cixous colonialism dramaturgy Eugenio Barba Faust gesture human rights Indiande interculturalism intertext language Mahabharata minority Mnouchkina multiculturalism perception performance performance analysis Peter Brook politics postcolonialism semiotics subtext theatre theory universal declaration of human rights video Western culture

Africa anthropology audience Australia Cahoots Theatre China colonial critical race theory diaspora Erika Fischer-Lichte Eugenio Barba globalisation Helen Gilbert human traffic immigration India indigenous peoples Jacqueline Lo Japan marginalised materialism multiculturalism New Zealand Patrice Pavis performance studies performativity Peter Brook Rustom Bharucha semiotics Una Chaudhuri Yvette Nolan

Alan Sinfield Alfred Jarry Andre Breton Anton Chekhov Antonin Artaud Arthur Symons August Strindberg avant-garde Bertolt Brecht Caryl Churchill Christopher St. John Cicely Hamilton criticism Emile Zola Enrico Prampolini Ernst Toller Eugenio Barba Ewan McColl Federico García Lorca Filippo Tommaso Marinetti Forced Entertainment Guillaume Apollinaire Guillermo Gómez-Peña Hallie Flanagan Hans-Thies Lehmann Helen Gilbert Henrik Ibsen history Howard Barker ideology James Baldwin Jean Baudrillard Joanne Tompkins John McGrath László Moholy-Nagy Laurie Anderson Marie Bressard Marie Irene Fornés Mark Ravenhill Maurice Maeterlinck naturalism Nicholas Zurbrugg Oskar Kokoshka Pierre Quillard politics Raoul Hausmann Robert Lepage Roland Barthes Ronald Gow Sheila Stowell SuAndi Susan Carlson Terry Eagleton text theatre theory Tim Etchells Umberto Boccioni Walter Benjamin Walter Greenwood