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Christoph Schlingensief: Art without Borders
Consisting of twelve chapters written by leading scholars in the field, and a long interview with Schlingensief himself, the book will provide the reader with the first comprehensive study of the intriguing body of work that Schlingensief has developed over the last thirty years.
Part of Library of Performing Rights (P3041).
Air A Lair
Exhibition catalogue; Summerhall, 2/8 – 24/9 2017.
Activating Cities
A practical handbook on the lost art of getting lost, reading the signs around you, following their lead, and creating your own.
Across the Art/Life Divide: Performance, Subjectivity, and Social Practice in Contemporary Art
Explores the ways in which contemporary artists across media continue to reinvent art that straddles both public and private spheres.
Sculpture Since 1945
Examines innovative and avant-garde works in relation to contemporary events, festivals, commissions, the marketplace, and the changing functions of museums.
Emergency INDEX Vol 6
In each annual volume, contributors document works made in the previous year. By including performances regardless of their country of origin, genre, aims, or popularity, INDEX reveals the breathtaking variety of practices used in performance work today.
Grey Matters
Documentation from the DIY13 project: a collective process of devising and then performing a public action, over the course of a weekend.
Part of the Library of Performing Rights (LPR) (P3041).
Von Menschen gemacht
A film about the future by Eva Meyer-Keller, Hanna Sybille Müller and the children who took part in the performance project Building after Catastrophes.
Boris Charmatz
Whether he’s creating a dance composed solely of everyday actions, working with an ensemble of children, or running a “dancing museum,” Charmatz’s work experiments with the body as a vessel for subjectivity, history, and collective action.
Tehching Hsieh: Doing Time
Exhibition catalogue. Biennale Arte 2017, 57th International Art Exhibition – Viva Arte Viva. 13 May – 26 November 2017.
