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Do You Remember It - Or Weren’t You There?
Do you remember it – or weren’t you there? was an exhibition of work by artists and writers whose starting point was live performance. It was curated by Philip Lee and Cally Trench and presented at the London Gallery West, University of Westminster in 2013.
Imagining the Audience: Viewing Positions in Curatorial and Artistic Practice
How do artists and curators imagine the audience in their work? How do they weave a picture of the individual viewer’s mental, physical, and emotional experience into the production of art events and what impact do these conceptions have on the finished artworks or exhibitions? Which new perspectives are useful in explaining the changes that have occurred in the art field and the concomitant new viewing positions? These are some of the questions that are the basis for Imagining the Audience.
Text in Swedish and English.
Lagos Live Arts Festival at Freedom Park
Lagos Live Arts Festival took place at Freedom Park, Nigeria, 6-9 December 2012.
Explosion! Painting as Action
Explosion! Painting as Action encompasses an array of approaches to looking at the borderland between painting and performance, covering a whole range of playful experiments to aggressive risk-taking. Published on the occasion of the exhibition of the same name at Moderna Museet, Stockholm, in 2012.
18th International Festival of Contemporary Arts - City of Women: Aging
Bilingual festival catalogue/pamphlet featuring performances, installations, films, workshops and discussions from the 18th International City of Women festival (on ageing), Slovenia.
Humancraft: Contaminating Science with Art
In a context of collapsing certainties about Europe’s economic and political system, the resurgence of actions towards collective responsibility-making, the timing of this book is perfect. Czarnecki springs open trapdoors back into childhood imagination and causes us to look again at how we address issues of human responsibility to each other and to the world which we hold in common. This is art that responds to the often white-coated ‘cleanliness’ of scientific research.
Nought to Sixty: 60 projects, 6 months
Nought to Sixty was a six-month programme of exhibitions and events at the Institute of Contemporary Arts, London, held to celebrate the organisation’s sixtieth anniversary. It presented sixty projects from artists, artists’ groups and commentators from the emerging art scenes in Britain and Ireland, including a large number of week-long exhibitions, but also performances, gigs, screenings, talks, publications, off-site projects and social events. This book is a record of an extraordinary six months.
Kunst und Klima / Art and Climate
Catalogue published on the occasion of the exhibitions: High Temperature. Art and Climate, and Weather Report. Art and Climate Change, 2012-2013.
A Bigger Splash: Painting after Performance
A Bigger Splash: Painting After Performance takes a new look at the dynamic relationship between performance and painting from 1950 to the present day. Published on the occasion of the exhibition of the same title at the Tate Modern, 14 November 2012 – 1 April 2013.
Gustav Metzger, Decades: 1959-2009
Catalogue published on the occasion of the exhibition of the same name at the Serpentine Gallery, London, 29 September – 8 November 2009.
