Catalogue > By Keyword > exile
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An Occupation of Loss
A detailed record of the years the artist spent researching professional mourning, which culminated in a performance co-commissioned by the Park Avenue Armory and Artangel.
Part of the Library of Performing Rights (LPR) (P3041).
XEN: Migration Labor and Identity
Catalogue published in conjunction with the exhibition by Yongsoon Min ;13 August to 12 September 2004 at the SSamzie Space Galleries. In English and Korean.
Part of the Library of Performing Rights (LPR) (P3041).
Staging an Exilic Autobiography: On the pleasures and frustrations of repetitions and returns
Expanding on the ideas of double wound (Caruth) and nostalgia (Aciman), this article discusses Davis' poetic autobiographic performances as examples of the terror and relief of repeating exilic pain.
Refugee Performance: Practical Encounters
Exploring theater works created for, by, and with refugees, this hybrid collection of essays combines newly commissioned scholarly work with examples of writing by refugees themselves.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Theatre and Migration
A vibrant introduction to theatre that engages with stories, conditions and experiences of migration.
PSI#12 documentation
Short and long trailer for Performing Rights, a festival of creative dialogues between artists, academics, activists, and audiences investigating relationships between human rights and performance.
Tania Bruguera: On the Political Imaginary
Published on the occasion of the homonymous survey show, this volume contains documents and essays on Tania Bruguera’s interdisciplinary art.
Lee Lozano: Dropout Piece
Sarah Lehrer-Graiwer explores one of Lee Lozano’s most challenging and elusive works, ‘Dropout Piece’.
Where is Ana Mendieta? Identity, Performativity, and Exile
Taken from banners carried in a 1992 protest outside the Guggenheim Museum, the title phrase 'Where is Ana Mendieta?' evokes not only the suspicious and tragic circumstances surrounding her death but also the conspicuous absence of women artists from high-profile exhibitions. Drawing on the work of such theorists as Judith Butler, Joseph Roach, Edward Said, and Homi Bhabha, Jane Blocker discusses the power of Mendieta's earth-and-body art to alter, unsettle, and broaden terms of identity itself.
Benevolent Asylum : An Eclipse of Historical Fiction
Visual and textual context for the exhibition and Take Me In performance which took place at the Freemantle Arts Centre.
