Catalogue > By Keyword > fear
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(re)collecting (f)ears
Documents a series of site-specific performances by bonelli, which took place at fallen Sound Mirrors along the southeast coast of England in the summer of 2019.
Christoph Schlingensief: Art without Borders
Consisting of twelve chapters written by leading scholars in the field, and a long interview with Schlingensief himself, the book will provide the reader with the first comprehensive study of the intriguing body of work that Schlingensief has developed over the last thirty years.
Part of Library of Performing Rights (P3041).
White Fragility: why it’s so hard for white people to talk about racism
Deftly illuminates the phenomenon of white fragility and “allows us to understand racism as a practice not restricted to ‘bad people’” (Claudia Rankine).
The Future
It is to the future that we look for redemption and progress; but it is also where we project our personal and apocalyptic anxieties. By questioning notions of certainty, truth, and totality, Augé finds ways to separate the future from our eternal, terrified present and liberates the mind to allow it to conceptualize our possible futures afresh.
Psychoanalyst Meets Marina Abramovic: Artist meets Jeannette Fischer
A unique insight into the relationship between Abramovic’s biography and artistic work.
Jarideh - documentation and artist interview
One to One performance that takes place in a public café and explores surveillance and profiling in “the war on terror.” The eight minute video includes an interview with the artist.
Damage Control: Art and Destruction Since 1950
Exhibition catalogue; Hirshhorn Museum and Sculpture Garden, Smithsonian (24 October – 26 May 2014); Musée d’art moderne Grand-Duc Jean (5 July – 12 October 2014); Kunsthaus Graz (15 November 2014 – 15 March 2015).
Nurtured by Knowledge: Learning to Do Participatory Action Research
Examines the frustrations and limitations of conventional Western academic research on social change and describes the struggle to fashion a new approach based on the principle that people have a universal right to participate in the production of knowledge that directly affects their lives.
Part of the Library of Performing Rights (LPR) (P3041).
Getting On: A Backstage Tour
An open source workshop template drawn from the artists’ series of two-day creative workshops in London, San Francisco and Palo Alto. Loose printed pages in large folder.
The Aesthetics of Risk
This anthology of essays, images and dialogues exploring contemporary art’s engagements with risk–physical, social, political and aesthetic–brings readers into the conference from which the book takes its title, a third annual collaboration between the Getty Research Institute and the Southern California Consortium of Art Schools (SoCCAS).
