Catalogue > By Keyword > Félix González-Torres
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Re Wild(e)ing Queer Performance
Contemporary Theatre Review Volume 31 Issue Number 3 August 2021
After the Party: A Manifesto for Queer of Color Life
Tells the stories of minoritarian artists who mobilize performance to produce freedom and sustain life in the face of subordination, exploitation, and annihilation.
Part of the Library of Performing Rights (P3041).
Relational Aesthetics
Where does our current obsession for interactivity stem from? After the consumer society and the communication era, does art still contribute to the emergence of a rational society? Bourriaud attempts to renew our approach toward contemporary art by getting as close as possible to the artists works, and by revealing the principles that structure their thoughts: an aesthetic of the inter-human, of the encounter; of proximity, of resisting social formatting.
Inside: Artists and Writers in Reading Prison
Book accompanying the eponymous exhibition, held at the Reading Prison, 4/9 – 4/12 2016.
Art AIDS America
The first comprehensive overview and reconsideration of 30 years of art made in response to the AIDS epidemic in the United States. This book foregrounds the role of HIV/AIDS in shifting the development of American art away from the cool conceptual foundations of postmodernism and toward a new, more insistently political and autobiographical voice.
Published on the occasion of the exhibition at the Tacoma Art Museum (October 2015 – January 2016)
Queer
This is the first anthology to bring together artist’s writings and conversations about queer practice, describing and examining the ways in which they have used the concept of queer as a site of political and institutional critique, as a framework to develop new families and histories, as a spur to action and as a basis from which to declare inassimilable difference.
Disidentifications: Queers of Color and the Performance of Politics
A look at how those outside the racial and sexual mainstream negotiate majority culture—not by aligning themselves with or against exclusionary works but rather by transforming these works for their own cultural purposes. Muñoz calls this process “disidentification,” and through a study of its workings, he develops a new perspective on minority performance, survival, and activism.
Sexuality - Documents of Contemporary Art
This anthology traces how and why this identification of art with sexual expression or repression arose and how the terms have shifted in tandem with artistic and theoretical debates.
love’s body: art in the age of AIDS
Catalogue to coincide with exhibition of the same name October 2 – December 5 2010 at the Tokyo Metropolitan Museum of Photography. Text in both Japanese and English.