Catalogue > By Keyword > female
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Virus
A heady brew of feminist critique of the art world and extreme body horror.
Rose Garrard: Redressing the balance
Exhibition catalogue. 12/11 – 4/12 1987. In German.
Wild Philosophy: Raving, Running, Reading
Zine documenting the DIY 15 project; supported by Chapter Arts.
Acting Out: Feminist Performances
The first book-length introduction to and critical analysis of contemporary feminist performance, from Madonna to Karen Finley to Cherrie Moraga.
Part of the Library of Performing Rights (LPR) (P3041).
Sarah Lucas: Au Naturel
Does art have a sex? A study of Lucas’s famous assemblage of objects that suggest male and female body parts.
A:Gender
An innovative multi-media performance piece that takes a long, hard and sometimes uncomfortable look at our notions of gender.
Part of the Library of Performing Rights (LPR) (P3041).
Ouch: Pain and Performance
A LADA screening programme for the 2016 Venice International Performance Art Week: a collection of documentation and artists’ films looking at pain and performance.
Includes:
Marina Abramovic – On ‘Rhythm O’, 1974, 2013, 3’07” ; Ron Athey – Ron’s Story, 2001, 4’44”; Marcel.Li Antunez Roca – Epizoo, 1994, 8’29; Franko B – Don’t Leave Me This Way, 2009, 5’03”; Wafaa Bilal – On ‘Shoot An Iraqi’, 2007, 2’21”; Rocío Boliver – Times Go By and I Can’t Forget You: Between Menopause and Old Age, 2013, 4’18”; Cassils – The Powers That Be, 2016, 2’24”; Bob Flanagan – Cystic Fibrosis Song, 1990’s 1’32”; Regina Jose Galindo – Lucha, 2002, 3’37”; jamie lewis Hadley – this rose made of leather, 2012, 9’10”; Nicola Hunter & Ernst Fischer – Passion/Flower, 2012, 4’02”; Oleg Kulik – Dog House 1996, 4’10”; Martin O’Brien – Taste of Flesh, 2015, 2’59”; Kira O’Reilly – Wet Cup, 2000, 2’29”; ORLAN – Successful Operation, 1990, 6’16”; Petr Pavlensky – Radical Artist In Court – Ukraine Today News Item, 2015, 1’57”
Embodied Avatars: Genealogies of Black Feminist Art and Performance
Tracing a dynamic genealogy of performance from the nineteenth to the twenty-first century, Uri McMillan contends that black women artists practiced a purposeful self- objectification, transforming themselves into art objects.
STUDY ROOM GUIDE / LADA ANTHOLOGY: PERFORMANCE FROM THE EDGE (Full Screening)
Two screening programmes of radical work for SPILL 2014:
Marginalised Bodies – A screening of artists working with their queer, disabled, black and female bodies in brilliant and subversive ways. Featuring La Ribot, Harold Offeh, Kira O’Reilly, Disabled Avant Garde, George Chakravarthi, and many more. Contained by the secrecy of the night hours and the wearing of horse blinkers; the performance score involves actions of cutting, tattooing, writing and speaking. The work explores domestication and the feral through actions that open and restrict the body (such as fasting, cutting and urinating).
Club & Underground Culture – A screening of live performance and work to camera rooted in underground and club culture. Featuring mavericks, outsiders, legends, gender terrorists and out and out freaks, including David Hoyle, CHRISTEENE, Ursula Martinez, Rocío Boliver, Duckie and many more.
