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They Are All at Least Seventy - An exploration of female resistance to the decline narrative in theatre and live art
On Ageing (&Beyond)
Performance Research Volume 24 Issue No 3 April/May 2019
pg 40-48
Breaking the Frame screening
Cannibal O
A typeface narrative revolving around an I, a pair of ravenous eyes, a mouth, and a peptic ulcer called O.
Critical effect & intensity of affect : analyses of art productions of Zoran Todorović
Exhibition catalogue: Intensity of Affect: performances, actions, installations – retrospective of Zoran Todorovic. Accompanies the project, Warmth, at the the 53rd Biennale di Venezia, held in Venice, at the Serbian Pavilion, June 7-Nov. 22, 2009.
In Serbian and English.
Cut with the Kitchen Knife: Weimar Photomontages of Hannah Hoch
Investigates the multilayered social construction of femininity in the mass culture of Weimar Germany, focusing on the photomontages of the avant-garde artist Hannah Hoch.
Part of the Know How: The Study Room Guide on Live Art Live Art and working with older individuals and communities. (P3140)
Staging Age: The Performance of Age in Theatre, Dance, and Film
This text explores how performers offer conscious-and unconscious-portrayals of the spectrum of age to their audiences. It considers a variety of media, including theatre, film, dance, advertising, and television, and offers critical foundations for research and course design, sound pedagogical approaches, and analyses.
Part of the Know How: The Study Room Guide on Live Art Live Art and working with older individuals and communities. (P3140)
A Field Guide for Female Interrogators
Combining an art project with critical commentary, Fusco addresses the role of women in the war on terror and explores how female sexuality is being used as a weapon against Islamic terrorists. Using details drawn from actual accounts of detainee treatment in US military prisons, Fusco conceives a field guide of instructional drawings that prompts questions regarding the moral dilemma of torture in general and the use of female sexuality specifically.
Part of the Study Room Guide on Live Art and Displacement (P3107).
States of Precarity
Exploring feminist artistic reponses to the specificity of women’s suffering in war, through the work of Sandra Johnston, nichola feldman-kiss and Rehab Nazzal.
Ouch: Pain and Performance
A LADA screening programme for the 2016 Venice International Performance Art Week: a collection of documentation and artists’ films looking at pain and performance.
Includes:
Marina Abramovic – On ‘Rhythm O’, 1974, 2013, 3’07” ; Ron Athey – Ron’s Story, 2001, 4’44”; Marcel.Li Antunez Roca – Epizoo, 1994, 8’29; Franko B – Don’t Leave Me This Way, 2009, 5’03”; Wafaa Bilal – On ‘Shoot An Iraqi’, 2007, 2’21”; Rocío Boliver – Times Go By and I Can’t Forget You: Between Menopause and Old Age, 2013, 4’18”; Cassils – The Powers That Be, 2016, 2’24”; Bob Flanagan – Cystic Fibrosis Song, 1990’s 1’32”; Regina Jose Galindo – Lucha, 2002, 3’37”; jamie lewis Hadley – this rose made of leather, 2012, 9’10”; Nicola Hunter & Ernst Fischer – Passion/Flower, 2012, 4’02”; Oleg Kulik – Dog House 1996, 4’10”; Martin O’Brien – Taste of Flesh, 2015, 2’59”; Kira O’Reilly – Wet Cup, 2000, 2’29”; ORLAN – Successful Operation, 1990, 6’16”; Petr Pavlensky – Radical Artist In Court – Ukraine Today News Item, 2015, 1’57”
Ouch screening programme
LADA screening programme for In Pursuit of Pain, a Wellcome Collection Friday Late Spectacular.
Bob Flanagan: Cystic Fibrosis Song (1977)
Cassils: Inextinguishable Fire (2015)
Wafaa Bilal: Shoot an Iraqi (2007)
Oleg Kulik: Dog House
Orlan: Succesful Operation (1990)
Marina Abramovic: On Rhythm 0 (2013)
Ron Athey: Ron’s Story (2001)
Rocío Boliver: Times Go By and I Can’t Forget You