Catalogue > By Keyword > femininity
39 results | Page 1 of 4
ABOUT
Publication made as part of a choreographic work investigating the relationship between theoretical, aesthetic and performing aspects of an artistic work. Includes two essays: ÆØÅ and Pointing back.
Kiss My Genders
Exhibition catalogue. Hayward Gallery, 12 June – 8 September 2019
Part of the Library of Performing Rights (P3041).
The Butch Monologues
A collection of secret stories exploring sexuality, vulnerability and desire, taken from interviews with butches, masculine women and gender rebels living worldwide.
Part of the Library of Performing Rights (P3041)
Intra-Venus
Catalogue of the exhibition of Wilke's last work. January 8 – February 19, 1994, Ronald Feldman Fine Arts, New York
Performing the UnNameable: Anthology of Australian Performance Texts
Sheds light on a range of practices in the area of contemporary performance in Australia.
In a Queer Time and Place: Transgender Bodies, Subcultural Lives
Examines the significance of the transgender body and presents a series of case studies focused on the meanings of masculinity in its dominant and alternative forms – especially female and trans-masculinities as they exist within subcultures, and are appropriated within mainstream culture.
Part of the Library of Performing Rights (P3041)
Homosexuality: Power and Politics
After the leading organisations of radical sexual politics imploded or dissolved, the Gay Left Collective formed a research group to make sense of the changing terrain of sexuality and politics. Its goal was to formulate a rigorous Marxist analysis of sexual oppression, while linking the struggle against homophobia with a wider array of struggles, all under the banner of socialism.
The Aesthetics of Disengagement: Contemporary Art and Depression
Shows how contemporary art is a powerful yet largely unacknowledged player in the articulation of depression in Western culture, both adopting and challenging scientific definitions of the condition. Ross explores the ways in which contemporary art performs the detached aesthetics of depression, exposing the viewer's loss of connection and ultimately redefining the function of the image.
Gender Trouble
Arguing that traditional feminism is wrong to look to a natural, ‘essential’ notion of the female, or indeed of sex or gender, Butler starts by questioning the category ‘woman’ and continues in this vein with examinations of ‘the masculine’ and ‘the feminine’.
Sweet and Sour and Super-t-Art
Examines how Hannah Wilke explored the relationship between sexual and gustatory taste in her performance Super-T-Art (1974), which she created for Jean Dupuy’s event Soup & Art held at the Kitchen in New York Cit
