Adrian Piper's Mythic Being performances critically engaged wtih popular representations of race, gender, sexuality and class; confronting viewers and forcing them to reconsider assumptions about the social construction of identity. An in-depth analysis of Piper's work.

Critical exploration of feminist art investigating femininity as a relationship to time

Part of Berlant’s groundbreaking “national sentimentality” project charting the emergence of the U.S. political sphere as an affective space of attachment and identification.

Accompanying the Japanese Pavilion’s contribution for the Venice Biennale, Ishiuchi’s personal and touching photographic essay ‘Mother’s’ explores the concepts of memory and loss through a series of close-up portraits of her mother immediately prior to her death interspersed with photographs of some of her mother’s personal possessions. In Japanese and English. The exhibition mother’s 2000-2005: traces of the future was presented at the 51st International Art Exhibition, the Venice Biennale, from June 12 through November 6, 2005.

Series 4 of Performance Saga: Encounters with Women Pioneers of Performance Art. Interviews by Andrea Seamann and Chris Regn. English and German languages. Accompanying dvd: REF. D0991

Interviews by Andrea Seamann and Chris Regn. Series 4 of Performance Saga: Encounters with Women Pioneers of Performance Art. Contains booklet with an article by Katrin Grôgel: The Body of Work.English with German subtitles. 49 mins. Accompanied by booklet: REF. P1111

LADA Anthologies are themed collections of performance documentation and works for camera that the Agency has been invited to curate for public programmes in the UK and internationally.

Drawing on materials housed in LADA’s Study Room and documentation publicly available online, the materials were originally presented as illustrated talks, then catalogued as LADA Anthologies.