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Eleanor Antin: Real Time Streaming catalogue

Editor: Rachael Thomas | Reference: P3514 | ISBN: 0902683527 | Type: Publication

Illustrated catalogue accompanying the exhibition; Cornerhouse (3 March – 22 April 2001),  Arnolfini (18 March – 13 May 2001), Mead Gallery (6 October – 1 December 2001).

The Avant-garde: Race, Religion, War

Artist/Author: Mike Sell | Reference: P3500 | ISBN: 978-1906497996 | Type: Publication

How have avant-gardes been shaped by racism and contributed to racist power and imperialism? How have the claims made by avant-garde political and artistic groups to liberate humanity been indebted to religious intolerance? And how has the vanguard commitment to radical cultural action contributed to war, terror, and destruction? 

Sarah Lucas: Au Naturel

Artist/Author: Amna Malik | Reference: P3489 | ISBN: 978-1846380549 | Type: Publication

Does art have a sex? A study of Lucas’s famous assemblage of objects that suggest male and female body parts.

The Power of Feminist Art: The American Movement of the 1970S, History and Impact

Editor: Norma Broude, Mary D Garrard | Reference: P3510 | ISBN: 0-8109-3732-8 | Type: Publication

Since its inception nearly 25 years ago, the feminist art movement has transformed the art world. Now, two professors of art history bring together 18 influential historians, critics, and artists to create this landmark volume.

Part of the Library of Performing Rights (LPR) (P3041).

Lexicon of Tanjas Ostojić

Editor: Tanja Ostojić | Reference: P3444 | ISBN: 978-0-9935611-3-9 | Type: Publication

Based upon the Lexicon of Tanjas Ostojić (2011-17), an interdisciplinary participatory research art project that included academic and artistic research, five creative workshops, a number of public events, one group performance, and two exhibitions involving more then 30 women.

Shadowing Josephine

Artist/Author: Jade Montserrat | Digital Reference: EF5273 | Type: Digital File

A anguage, a tool to articulate a series of ideas: how outrage and prejudices can be performed; perceptions of the savage and barbaric heathens; tribal nuances and thinking about the Paris of the 1920s as a site of inequality; the spate of negrophilia there; how a change of circumstance for women was reinforced by the war; cultural diversity and tolerance; exoticism and anti-colonial; therefore, transgressive behaviours.

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