Artist/Author: Andrea Liss | Reference: P3035 | ISBN: 978-0816646234 | Type: Publication

The first work to critically examine the dilemmas and promises of representing feminist motherhood in contemporary art and visual culture.

Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).

Artist/Author: Aine Phillips | Reference: P3026 | Type: DVD

Contains performance programme, performance texts and 3 CDs/DVDs, which include still images, a 6 minute edit and video of the full performance.

Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).

Artist/Author: Margrit Shildrick | Reference: P3036 | ISBN: 978-0415146173 | Type: Publication

A feminist investigation into the marginalization of women within western discourse that denies female moral agency and embodiment.

Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).

Artist/Author: Kim Solga | Reference: P3010 | ISBN: 978-1137463005 | Type: Publication

Tells the story of feminist performance theory. It explores key debates from its 40-year history, engages with the work of groundbreaking thinkers including Elin Diamond, Jill Dolan, Peggy Phelan and Elaine Aston, and includes case studies of recent performances by established and emerging feminist artists.

Reference: P2992 | Type: Publication

Includes The Wollstonecraft Live Experience! programmes and materials, two programmes for the Stoke Newington Literary Festival, and a list of publications.

Artist/Author: Eleanor Roberts | Reference: P2991 | Type: Publication

A PhD thesis offering a new account of the emergence of performance forms, including Happenings, participatory art, performance art and performances for the camera, in visual art and related contexts at the ICA.

Editor: E. Patrick Johnson, Ramón H. Rivera-Servera | Reference: P2964 | ISBN: 978-0822360650 | Type: Publication

The collection contains nine performance scripts by established and emerging black and Latina/o queer playwrights and performance artists, each accompanied by an interview and critical essay conducted or written by leading scholars of black, Latina/o, and queer expressive practices.

Editor: Liz Aggiss | Reference: P2970 | Type: Publication

*currently unavailable*

A dark and ribald physical commentary on cultural mores, forays and sexual taboos. Aggiss places herself centre stage in this solo performance in a vociferously moving and disorientating display of contradictions and interpretations, on girls, ladies, women, mummys, mothers, bitches and dogs, pensioners and senior citizens.

Digital Reference: EF5216 | Type: Digital File

Documentation from a live exhibition featuring eleven leading female artists from the island of Ireland, offering unprecedented access to a huge body of live performance work by some of the most radical and exciting women artists emerging from the Irish cultural context.

Curated by Chrissie Cadman, Amanda Coogan and Helena Walsh

12:53

Artist/Author: Ellie Roberts | Reference: A0668 | Type: Article

Drawing on a range of archives, this paper focusses on two performance works, One for Sorrow Two for Joy (1976) and Mind the Gap (1980).

Found in miscellaneous article folder #6

This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)