This is the first book on Mexican artist’s broad range of production, bringing together two- and three-dimensional works, records of actions, sound and film recordings and archival materials, enabling a reading of Mayer’s place in the construction of feminist practice in Mexico. In Spanish and English.

This story of a career forged in the heady waters of performance art and dance-film depicts Aggiss resuscitating herself back into the on-stage limelight. In the process, she becomes an unwitting channel for wilful women and forgotten archives; a conduit for hidden histories and buried truths. 

Clips; 4:44.

Paul B. Preciado shows the ways in which the synthesis of hormones since the 1950s has fundamentally changed how gender and sexual identity formulated, and how the pharmaceutical and pornography industries are in the business of creating desire. This riveting continuation of Foucault’s The History of Sexuality also includes Preciado’s diaristic account of his own use of testosterone every day for one year, and its mesmerizing impact on his body as well as his imagination.

Found in miscellaneous article folder #6
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)

Found in miscellaneous article folder #5B

This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)

Includes performance description. From Centerfold.

Found in miscellaneous article folder #5B

This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)

From New Dance.

Found in miscellaneous article folder #5B
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)

Conversation between Johann Went and Mark Wheaton to accompany thescreening of 'Knifeboxing' on LADA Screens which was online from 29 March – 11 April 2016.

In misc folder 5A.

Publication for the Bedfellows event, Late at Tate Britain, 1st April 2016.

Festival book; it sets out in search of a different kind of closeness – and finds it through contributions written by programmed artists, artist portraits, theoretical comments dealing with the festival’s leitmotif, “Back to the Future”, essays, reports or series of pictures.

Festival dates: 25 September – 18 October 2015.