Catalogue > By Keyword > feminist art
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Blood Counts
A programme of events exploring blood in performance for BLOOD: Life Uncut, a season of work for the new Science Gallery, London. Includes:
Janez Janša: Ron’s Story (5 minutes, 2001)
Ernst Fischer and Nicola Hunter: Passion/Flower (2012, 4 minutes)
Regina Jose Galindo: Who Can Erase the Traces (2003, 2 minutes), La
Sangre del Cerdo (2016, 8 minutes)
Franko B: I Miss You! (2003, 2 minutes)
Marisa Carnesky: Dr Carnesky’s Incredible Bleeding Woman (2016, 3 minutes)
jamie lewis hadley: this rose made of leather (2012, 10 minutes)
Kira O’Reilly: Wet Cup (2000, 3 minutes)
Martin O’Brien: If It Were The Apocalypse I’d Eat You To Stay Alive (2015, 8 minutes)
La Ribot: Another Bloody Mary (2000, 10 minutes)
Rocío Boliver: Times Go By and I Can’t Forget You: Between Menopause and Old Age (2013, 4 minutes)
How to Talk About Gender Equality With a 9-year-old
On performing feminist values for children.
Carolee’s
The second issue of The Magazine of the Artist’s Institute, dedicated to Carolee Schneemann
City of Women – Immersive Reflection 2017/2018
A selection of texts on the festival, its topics and atmosphere.
Sweet and Sour and Super-t-Art
Examines how Hannah Wilke explored the relationship between sexual and gustatory taste in her performance Super-T-Art (1974), which she created for Jean Dupuy’s event Soup & Art held at the Kitchen in New York Cit
Empowered Expression from Bausch and De Keersmaeker
On Das Stück mit dem Schiff and Amor constante mas alla de la muerte.
Eleanor Antin: Real Time Streaming catalogue
Illustrated catalogue accompanying the exhibition; Cornerhouse (3 March – 22 April 2001), Arnolfini (18 March – 13 May 2001), Mead Gallery (6 October – 1 December 2001).
Gloria: Another Look at Feminist Art of the 1970s catalogue
Newspaper format catalogue. White Columns, New York, 13 September – 20 October 2002.
“I’m Still Coming” Coming to Power 2016 & 1993
A dual catalogue and archival exposé that explores the pivotal exhibition, Coming to Power: 25 Years of Sexually X-Plicit Art By Women, originally curated by the late artist, Ellen Cantor, in 1993, along with its re-staging in 2016 by curator Pati Hertling and artist Julie Tolentino.
Part of the Library of Performing Rights (LPR) (P3041).
Complicating Authorship : Contemporary artists’ names
Explores the agency of the pseudonym over a sustained period of time through two case studies in particular: the Guerrilla Girls, an all-female collective working anonymously, and Marvin Gaye Chetwynd, the first British performance artist to be nominated for the Turner Prize.
