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Meredith Monk
An absorbing portrait of an artist whose career spans three decades of American avant-garde performance. Collecting writings by Monk herself, along with significant reviews, essays, interviews, and photographs of Monk’s unique performance events, the book establishes her as one of the great treasures of contemporary American culture.
Performing Machines
Exhibition catalogue; comprises essays and a section containing documents, hitherto unpublished interviews and a gallery discussion. Exhibition: 27 January – 1 May 2017, Museum Tinguely, Basel.
Emily Jacir: Europa
This book focuses on this award-winning artist’s relationship to Europe and the Mediterranean and explores how one relates to a particular place. Published to accompany exhibitions at the Whitechapel Gallery (Sept 2015 – Jan 2016) and IMMA (Oct-Dec 2016).Part of the Study Room Guide on Live Art and Displacement (P3107).
Ragnar Kjartansson
Published as part of the eponymous exhibition at the Barbican 14 July – 4 September. Surveys the Icelandic artist's practice from his student work to today.
This item can be found in the locked glass cabinet.
Media Parasites in the Early Avant-Garde: On the Abuse of Technology and Communication
Niebisch retraces how the early Avant-Garde movements started out as parasites inhabiting and irritating the emerging mass media circuits of the press, cinema, and wired and wireless communication.
Unlimited 2016 programme
Programme for the 2016 Unlimited festival, celebrating the artistic vision and originality of disabled artists.
Southbank Centre, 6-11 September.
Miranda July’s Intermedial Art: The Creative Class Between Self-Help and Individualism
The first in-depth study of July’s work provides fascinating insights into the lifestyle of the contemporary white Californian middle class.
Anna Birch archive
Includes The Wollstonecraft Live Experience! programmes and materials, two programmes for the Stoke Newington Literary Festival, and a list of publications.
Conceptual Art in Britain 1964-1979
The book explores the textual work of Art & Language, Victor Burgin and others; the New Sculpture being produced by those such as Richard Long and Michael Craig-Martin; and the artists who addressed society and politics, including Stephen Willats and Margaret Harrison.
On the occasion of the eponymous exhibition, April-August 2016.
Made For TV Part 1
Combining Rubnitz’s manipulation of the familiar “look” of TV shows with an extraordinary range of characters, performer Ann Magnuson impersonates the array of female types seen on TV in a typical broadcast day.
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