Catalogue > By Keyword > Fiona Templeton
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A Manifesto for a New Walking Culture: ‘dealing with the city’
A manifesto for the active and creative pedestrian – envisioning a walking that is neither a functional necessity (to shops, to work) nor a passive appreciation of (or complaint about) the urban environment.
Artists in the Archive: Creative and Curatorial Engagements with Documents of Art and Performance
Explores the agency and materiality of the archival document through a collection of critical writings and original artworks,
In Case There’s a Reason: The Theatre of Mistakes
Exhibition catalogue. Raven Row, 30 June – 6 August 2017
Going
Performance text; performers have to learn all the parts while trying to be each other rather than presuming to enact characters.
Glimpses of Before 1970s Performance Art in the UK - Images
Images related to the Study Room Guide on Performance in the UK in the 1970 (P2947).
Contains separate folders for each artist + a word document with image credits.
Live Art Development Agency Study Room Guide: On Documentation
A small selection of study room material on the subject of documention.
Out From Under: Texts by Women Performance Artists
A collection of texts by several seminal women performance artists. Holly Hughes – 'World Without End'; Beatrice Roth – 'The Father'; Laurie Anderson – from 'United States'; Karen Finley – 'The Constant State of Desire'; Rachel Rosenthal – 'My Brazil'; Laurie Carlos, Jessica Hagedorn, Robbie McCauley – 'Teenytown'; Leeny Sack – 'The Survivor and the Translator'; Lenora Champagne – 'Getting Over Tom'; Fiona Templeton – 'Strange to Relate'.
East Village USA
Extracts from exhibition catalogue for “East Village USA” at the New Museum of Contemporary Art revisiting the sprawling, renegade art scene that flourished in the East Village during the 1980s. Text partially obscured.
Feminist Futures? Theatre, Performance, Theory
Feminist Futures? sets out to ask if and in what way feminism remains relevant to theatre and performance practice of the twenty-first century. Responding to this question is an excellent, cross-generational mix of theatre scholars and practitioners whose essays engage in lively, cutting edge critical debates on issues such as citizenship, autobiography, cultural heritage, political agency, and body/technology, as circulating in contemporary feminism and performance today.
Archipelago
Fifteen installation and performance artists shared the gallery space throughout a six-week period. This publication documents the resulting exhibition through photographs and diagrams.
